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CFP - Gothic Antipodes: An Interdisciplinary Conference, 22-23 January 2013

updated: 
Friday, May 11, 2012 - 9:11am
Gothic Association of New Zealand and Australia (GANZA)

The Gothic Association of New Zealand and Australia (GANZA) welcomes papers for its inaugural conference, to be held at Stamford Plaza Hotel, Auckland, on 22-23 January 2013.
Keynote speaker: Professor Ken Gelder (University of Melbourne).

The conference will be organised in the spirit of the Association. GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, fashion, architecture and popular culture. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.

Emigration, Immigration, Empire, Exile: Women's voices and Their Rhetorical Forms, due June 20, 2012

updated: 
Tuesday, May 8, 2012 - 4:58pm
SAMLA (South Atlantic Modern Language Association), Nov. 9-11, 2012

Proposal Submission: Please send a 350-500 word proposal, including a proposed title to: Annette Sisson, Belmont University, annette.sisson@belmont.edu OR, if you prefer to send it through the post, Wheeler Humanities Bldg. 200, Dept. of English, Belmont University, 1900 Belmont Blvd., Nashville, TN 37212-3757

Submission Deadline: June 20, 2012

Forms of Orientalism [UPDATE]

updated: 
Tuesday, May 8, 2012 - 4:55pm
SAMLA, Nov 9-11

European Orientalism has as its historical and frequently imaginative background tales of travel and exile. This panel aims to examine the shapes that textual engagements with the East take in works of European Orientalism. What do such textual engagements suggest about the capacities of available literary forms and ideologies of difference to represent confrontations with "the other"? How do representations of the "orient" (inclusive of northern Africa, the Near East, South Asia, and East Asia) reflect on the histories and developments of literary modes such as the epic, the lyric, the novel, the oriental tale?

Forms of Orientalism

updated: 
Tuesday, May 8, 2012 - 3:01pm
SAMLA, Nov 9-11

European Orientalism has as its historical and frequently imaginative background tales of travel and exile. This panel aims to examine the shapes that textual engagements with the East take in works of European Orientalism. What do such textual engagements suggest about the capacities of available literary forms and ideologies of difference to represent confrontations with "the other"? How do representations of the "orient" (inclusive of northern Africa, the Near East, South Asia, and East Asia) reflect on the histories and developments of literary modes such as the epic, the lyric, the novel, the oriental tale?

[UPDATE] SAMLA 2012: Victorian Conviviality (abstracts due May 20)

updated: 
Tuesday, May 8, 2012 - 1:34pm
Hugh Davis / South Atlantic Modern Language Association

This panel invites proposals relating to the representation of conviviality in Victorian literature. Topics may include but are not limited to discussions of food and drink; friendship; pub culture; connoisseurship; societies such as the Cannibal Club; group travel and leisure activities; sports and athleticism; public celebrations; lectures and debates; Christmas and other religious holidays; town parks; seaside excursions; and societies for mental improvement. SAMLA will be held November 9-11, 2012, at the Sheraton Imperial Hotel and Convention Center at Research Triangle Park in Durham, North Carolina. By May 20, 2012, please submit 250-word abstracts to Hugh Davis, Piedmont College, at hdavis@piedmont.edu.

[UPDATE] Science/Fiction: Deadline 1st August 2012

updated: 
Tuesday, May 8, 2012 - 7:54am
Excursions Journal, University of Sussex Doctoral School

Science must begin with myths, and with the criticism of myths.'
Karl Popper, Conjectures and Refutations: The Growth of Scientific Knowledge (1963. London: Routledge, 2002), 66.

'Arts research needs to change direction, to look outwards, and investigate the audience not the texts. It needs to link up with sociology and psychology and public health, and create a body of knowledge about what the arts actually do to people. Until that happens, we cannot even pretend that we are taking the arts seriously.'
John Carey, What Good Are the Arts? (Oxford: Oxford University Press, 2006), 167.

Patricia Duncker Conference

updated: 
Monday, May 7, 2012 - 1:50pm
University of St Andrews

Patricia Duncker Conference
Friday, 7th – Saturday 8th December 2012
The Institute for Contemporary and Comparative Literature
and The School of English, University of St Andrews

Sponsored by Gylphi: Arts and Humanities Publisher
Part of the Gylphi Contemporary Writers Series

Keynote Speakers:
Professor Patricia Duncker (University of Manchester)
Professor Gabriele Griffin (University of York)
Professor Tim Woods (Aberystwyth University)

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