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CFP: Why Arthur? (round table) (9/1/09; Kalamazoo 5/13-16/10)

updated: 
Sunday, June 28, 2009 - 2:33am
Michael A. Torregrossa/The Society for the Study of Popular Culture and the Middle Ages

CALL FOR PAPERS

ROUND TABLE on
WHY ARTHUR?
REFLECTIONS ON THE INTERNATIONAL APPEAL OF THE
MATTER OF BRITAIN IN THE POST-MEDIEVAL WORLD

45TH INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES
WESTERN MICHIGAN UNIVERSITY
KALAMAZOO, MI
13-16 MAY 2010

PROPOSALS BY 1 SEPTEMBER 2009

Co-Sponsored by
THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN and THE SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES

Journal of Popular Romance Studies: First Call for Papers

updated: 
Friday, June 26, 2009 - 3:40pm
Kymberly Hinton / Journal of Popular Romance Studies

For its inaugural issue (Winter 2010), the Journal of Popular Romance Studies is now considering papers on representations of romantic love in popular media, now or in the past, from anywhere in the world.

Topics addressed might include:

REMINDER: Crossing the Line: Affinities before and after 1900

updated: 
Friday, June 26, 2009 - 5:56am
University of Liverpool

Crossing the Line: Affinities Before and After 1900

An Interdisciplinary Postgraduate Conference to be held at the University of Liverpool and the Victoria Gallery & Museum

Thursday 28th – Friday 29th January 2010
Keynote Speaker: Professor Regenia Gagnier (University of Exeter)

Publishing Workshop: 'The Future of Academic Publishing' with Paula Kennedy (Palgrave Macmillan)

Plenary Lecture: 'Funding for Postgraduate Researchers', Dr Mark Llewellyn (University of Liverpool)

TO BE KEPT UP TO DATE WITH THE LATEST CONFERENCE NEWS AND INFORMATION PLEASE SEND A BLANK EMAIL WITH THE SUBJECT "SUBSCRIBE" TO ORGANISERS@CROSSING-THE-LINE.ORG.UK.

[UPDATE] Extended deadline - JUNE 30 Steampunk! Revisions of Time and Technology. SAMLA 11/6-11/9 2009

updated: 
Thursday, June 25, 2009 - 9:25am
Kathryn Crowther / SAMLA

I am looking for one more paper to complete this SAMLA special session panel. I welcome papers on any aspect of the Steampunk genre. Papers could address literature, film, art, or other cultural manifestations of Steampunk. Of particular interest are discussions of the ways that Steampunk engages with notions of time and historical discourse, the materiality of Steampunk, and the intersections of technology and literature. By June 1, please send a one-page abstract that includes audio/visual needs and a short vita (with complete contact information) to Kathryn Crowther, Georgia Institute of Technology at kathryn.crowther@lcc.gatech.edu

Forms and Theories of Allegory between Middle Age and Modernity – International conference in Trento, December, 9-11 2009

updated: 
Thursday, June 25, 2009 - 5:32am
Scuola di dottorato in Studi letterari, linguistici e filologici – Carlo Tirinanzi de Medici

-- English text -- please see below for other languages --

Allegory: Theories and Forms between Middle Age and Modernity

The notion of allegory is a pivotal one to understand Western literature, either the medieval one by which allegory was institutionalized within the four layers system of textual hermeneutics (literal, moral, allegorical, and anagogical), or in the modern texts which have been often interpreted, at least from Benjamin forward, as allegorical texts.

BRITISH POETRY 1875-2010 AND RESISTANCE 3-4 JUNE 2010

updated: 
Thursday, June 25, 2009 - 4:58am
ARTOIS UNIVERSITY, ARRAS, FRANCE

BRITISH POETRY 1875-2010 AND RESISTANCE

INTERNATIONAL POETRY CONFERENCE, ARTOIS UNIVERSITY, ARRAS, FRANCE, 3-4 JUNE 2010

Organised by Textes et Cultures, Artois (EA 4028) in collaboration with CRILA (JE 2356), Angers University.

The Past's Digital Presence: Database, Archive, and Knowledge Work in the Humanities (A Graduate Student Symposium)

updated: 
Wednesday, June 24, 2009 - 4:25pm
Yale University Graduate School of Arts & Sciences, the Beinecke Rare Book & Manuscript Library, the Whitney Humanities Center

How is digital technology changing methods of scholarly research with pre-digital sources in the humanities? If the "medium is the message," then how does the message change when primary sources are translated into digital media? What kinds of new research opportunities do databases unlock and what do they make obsolete? What is the future of the rare book and manuscript library and its use? What biases are inherent in the widespread use of digitized material? How can we correct for them? Amidst numerous benefits in accessibility, cost, and convenience, what concerns have been overlooked?

Illuminating the Everyday Imagination [NEMLA, April 7-11, 2010; abstracts by 9/30/09]

updated: 
Tuesday, June 23, 2009 - 9:20pm
Elaine Auyoung

This panel considers the imagination's literary significance in relation to its underestimated role in everyday cognitive life. Papers may combine analysis of specific texts with psychological, philosophical, or cognitive accounts of the imagination. How does literary representation reflect the everyday imagination at work? How do fictional characters and narrators model commonplace imaginative acts? Most important, how does literature engage our ordinary imaginative powers in such extraordinary ways? Send 300 to 500-word abstracts to Elaine Auyoung at auyoung@fas.harvard.edu.

[update] William Blake and His Influence 4/7-11 2009, Montreal, Quebec, Canada; proposals by Sept. 30, 2009

updated: 
Tuesday, June 23, 2009 - 6:29pm
Josephine McQuail / Northeast Modern Language Association Convention

Papers are welcome on William Blake and his influence on any one of the many artists or movements he impacted, including not only literature but visual arts and music: including but not limited to the Pre-Raphaelites, the Ancients, W.B. Yeats, James Joyce, Ginsberg and the Beats, Van Morrison, Billy Bragg, Patti Smith, composer William Bolcom, -- not to mention popular writers like Joyce Carol Oates, Thomas Harris, etc. What do the artists "half create/And what perceive" in their own vision of William Blake? What is Blake's legacy today? E-mail abstracts or complete papers (limited to 10-12 minutes presentation time) to Josephine McQuail or mail to Dr. J. McQuail, Box 5053, 5 William L.

Proposed Essay Collection – From King of the Jungle to Cultural Icon: Tarzan at 100

updated: 
Tuesday, June 23, 2009 - 12:49pm
Edited by Michelle Ann Abate and Annette Wannamaker

From King of the Jungle to Cultural Icon will be an interdisciplinary essay collection marking the 100th anniversary of Tarzan of the Apes. Since its debut in serial format in 1912, Edgar Rice Burroughs' narrative about an orphaned white boy being raised by a band of black apes in the African jungle has become a transnational literary classic, frequent cinematic, film and comic book icon and powerful—as well as problematic—cultural archetype. This collection will allow critics from a wide range of disciples to explore the past place, present status and future importance of Tarzan in popular print, visual and material culture.

What Postcolonial Theory Doesn't Say, July 3-5, 2010, University of York

updated: 
Monday, June 22, 2009 - 9:22am
University of York

Call for Papers and Panels
What Postcolonial Theory Doesn't Say

A conference at the University of York, UK, 3-5 July 2010, in partnership with the University of Leeds and Manchester Metropolitan University

Postcolonial Studies is firmly ensconced in the Anglophone metropolitan academy: the field has its own specialised journals, academic posts, postgraduate courses, and dedicated divisions within learned bodies. But how well have these configurations travelled to other locations, institutions and disciplines? What topics, questions and approaches remain unexplored? And what's 'theoretical' about postcolonial theory anyway?

[UPDATE] Call for Book reviews on Visual Arts

updated: 
Sunday, June 21, 2009 - 7:47am
Rupkatha Journal

Authors are invited to contribute reviews of book on Visual Arts for the Special Autumn Issue, 2009. Reviews can be submitted on books dealing with
• New insights into the works of individual artists
• Discussion of trends/movements in a particular field of visual arts
• Discussion on Indigenous art forms including folk arts
• Comparative study of arts and artists
• Digital arts (Rise, development and possibilities)
Word limit: 1500-3000 words.
Deadline of Submission: 30 September, 2009
Contact us for submission of articles at editor@rupkatha.com. Read detailed guidelines or download the guidelines.

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