Recently, Toril Moi has argued for a rehabilitation of Ibsen as a modernist dramatist and described a number of key features of his version of modernism: his embrace of theatre as an art form, his critique of theatricality, his foregrounding of a meta-theatrical skepticism, and his preoccupation with the key social issue of the position of women in society (Henrik Ibsen and the Birth of Modernism). This panel will seek to extend Moi's claims by asking if we can identify an "other," early or "original" modernism—one somewhat different from what Moi, borrowing from Frederic Jameson, calls the post-WWII "Ideology of Modernism"—in the works of various fin de siècle dramatists staging rebellious women.
Henry Rider Haggard (1856-1925) was a novelist, country gentleman, social commentator, onetime colonial administrator and failed ostrich farmer whose prodigious output comprises a significant but under-examined contribution to late nineteenth and early twentieth century literature. While his two most famous works, King Solomon's Mines (1886) and She (1887) have attracted a steady stream of articles in recent years, most notably from the fields of postcolonial and gender studies, a significant proportion of his oeuvre remains almost entirely unstudied, despite their considerable popular success in his lifetime. In order to extend and enhance Haggard scholarship we are soliciting proposals for chapters in a forthcoming edited collection of essays.
Recently, Toril Moi has argued for a rehabilitation of Ibsen as a modernist dramatist and described a number of key features of his version of modernism: his embrace of theatre as an art form, his critique of theatricality, his foregrounding of a meta-theatrical skepticism, and his preoccupation with the key social issue of the position of women in society (Henrik Ibsen and the Birth of Modernism). This panel will seek to extend Moi's claims by asking if we can identify an "other," early or "original" modernism – one somewhat different from what Moi, borrowing from Frederic Jameson, calls the post-WWII "Ideology of Modernism" - in the works of various fin de siècle dramatists staging rebellious/fallen/deviant women.
CALL FOR PAPERS
South Atlantic Modern Language Association (SAMLA)
November 6-8, 2009
Renaissance Atlanta Hotel Downtown
Deadline: May 1, 2009
JUSTICE AND MERCY HAVE KISSED
When exploring the issue of human rights, two rallying cries are often heard. The voice of justice insists that mercy can only be had in a world of moral standards, while the call to mercy responds that justice can only condemn in a world that needs redemption. And yet, Christians are called to hold these two contrary impulses in careful balance – called to reconcile the irreconcilable.
This SAMLA special session panel welcomes papers on any aspect of the Steampunk genre. Papers could address literature, film, art, or other cultural manifestations of Steampunk. Of particular interest are discussions of the ways that Steampunk engages with notions of time and historical discourse, the materiality of Steampunk, and the intersections of technology and literature. By May 20, please send a one-page abstract that includes audio/visual needs and a short vita (with complete contact information) to Kathryn Crowther, Georgia Institute of Technology at email@example.com
ACIS Mid-Atlantic Regional Conference
Sept. 18 and 19, 2009
West Long Branch, New Jersey
Ireland by Sea
H.G. Wells once wrote that Oscar Wilde's 'The Soul of Man Under Socialism' offers "an artist's view of socialism, but not a socialist's." George Orwell, reviewing the essay in 1948, called Wilde's vision of socialism "Utopian and anarchistic." So was Oscar Wilde a socialist? an anarchist? an "individualist"? or politically unquantifiable? He was acquainted with the leading socialists of the time, from William Morris to G. B. Shaw, his sympathy for socialist and anarchist ideas was well known, and 'The Soul of Man' attained great popularity with the radical movements of Central and Eastern Europe and the USA.
Proposed Special Session for the International Conference on Romanticism, Annual Conference, New York, NY, Nov. 5-9, 2009
Urban Planning in the Romantic Era
LITERARY JOURNALISM STUDIES, a peer-reviewed journal sponsored by the International Association for Literary Journalism Studies (IALJS), invites submissions of scholarly articles on literary journalism, which is also known as narrative journalism, literary reportage, reportage literature, "new journalism" and the nonfiction novel, as well as literary nonfiction and creative nonfiction that emphasizes cultural revelation. The journal is international in scope and seeks submissions on the theory, history and pedagogy of literary journalism throughout the world. All disciplinary approaches are welcome.
The Brontës in Context III (The Brontës' Poetry)
2-3 October 2009, University of Salford, Greater Manchester, United Kingdom
This third two-day research workshop aims to focus on an area of Brontë scholarship that has not as extensively been explored as the novels of the three sisters. The workshop will investigate the poetry of the Brontës and contextualise the poems in terms of a variety of ideas and discourses such as Romanticism, Victorian religiosity, femininity, genre, etc.
Neo-Victorian Studies invites papers and/or abstracts for a 2009 special issue on neo-Victorianism's engagement with science and new/old technologies, especially as articulated through the genre of Steampunk. As a lifestyle, aesthetic and literary movement, Steampunk can be both the act of modding your laptop to look like and function as a Victorian artefact and an act of (re-)imagining a London in which Charles Babbage's analytical engine was realised. Steampunk includes applications of nineteenth-century aesthetics to contemporary objects; speculative extensions of technologies that actually existed; and the anachronistic importation of contemporary science into fictionalised pasts and projected futures.
For all their complexity, recent discussions of cosmopolitanism, comparativism, and world literature have tended to privilege the global over the local, the macro over the micro, and the city over the country. These discussions have prompted us to ask some of the following questions: what constitutes a small town, region, province, village, settlement, or other small-scale community? How have these and other terms historically been used by the cultural centers from which most discourse is generated? What does it mean to speak or write from a local or regional community within the context of the world republic of letters? How is this related to or different from writing for a small-scale community?
European Journal of English Studies, Vol. 15
Matter and Material Culture
Deadline for proposals: 13 November 2009
Guest Editors: Maurizio Calbi & Marilena Parlati.
Cultural materialism has been adding much to our knowledge and understanding of the ways in which culture is informed by and conformed to and with matter, and so have the numerous analyses and histories of material culture from fields as varied as sociology, anthropology, museum studies, consumer studies, and so forth.
You are invited to contribute to an edited volume entitled "The Literary Menagerie." The last decade has seen an intensive scholarly engagement with the question of the human-non-human animal relation, including its artistic and literary representation. This foundational scholarship has made it possible to pursue more focused areas of inquiry. One such area is suggested by Randy Malamud in his "Becoming Animal": "art has the potential to present a valuable . . . account of what it is like to be a different animal from ourselves" (7). Art makes it possible for us to imagine ourselves into another being and also to discover other ways of being human.