We solicit contributions for an edited collection of scholarly essays entitled In the Margin: e-Text and its readers. Considerable scholarship of the past three decades has addressed the history, readership, and materiality of the book. The architecture of the page, paperstock, fount, blank spaces, and readerly annotation have been the subject of economic, material, and theoretical analysis. Attention to how books have been copied, signed, and annotated has illuminated a history of reading and literary activity. The codex, in short, has been invaluable to the material turn in bibliographic and literary scholarship. But what of the digital turn?
Proposals are invited for the AAALS session to be held at the 2013 MLA Convention to be held in Boston from January 3rd through January 6th, 2013. Please send 200-word abstracts to Nathanael O'Reilly (email@example.com) by March 15th, 2012. The session topic is "History, Fiction & Australia." The topic may be interpreted broadly and transnational approaches are particularly welcome.
Writing Mothers\Daughters: 1780-2012
A one day conference at Newman University College, Birmingham
Thurs 28th June 2012
Keynote Speaker: Sonya Andermahr, University of Northampton
Explores the "dynamic and performative process of dialogic engagement" (Katherine Lawson) as a collaborative, compositional methodology. Possible topics: synchronic vs. diachronic imitatio; conversational circles (interpersonal or intertextual); cognitive models. Please send 250-word abstracts to firstname.lastname@example.org or email@example.com. Deadline: 3/15/12.
Seeking papers for a panel exploring the interconnections of aesthetic and economic debt. What exactly does the trope of "literary debt" owe to the economic mind? Are economic narratives, e.g.- the narrative of money as "value itself," indebted to aesthetic principles?
Papers welcome on topics such as the post-collapse relevance of Harold Bloom's theory of literary influence, Marc Shell's deconstructions of the "Art & Money" binary, and Christian Marazzi's notion of the increasingly "linguistic" nature of capital.
Send 300-word abstract and brief bio by 15 March 2012 to Mark Schiebe, CUNY Graduate Center (firstname.lastname@example.org)
Chapter proposals for an international collection on Scopophilia, Exhibitionism, Voyeurism, Phallus, Sexualities and the Politics of the Gaze. Topics under consideration include:
* Voyeuristic spectatorship and readership in contemporary cinema, television, art, literature, advertising and popular communications.
* Phallic delights, phallic traumas.
* Provoking and provocative texts and textures.
* Scenes, sins, senses, sensations and sensational spectacles.
* Perilous corporeality, physicality and embodiment.
* Sensational adaptations and transferred sensations.
* The politics of striptease cultures.
* Self exposure and exhibitionism as artistic device.
The United States has a storied past in which ideals of "proper" parenting have been disseminated through popular culture. This panel seeks to explore the ways in which the clash between the ideals and realities surrounding parenting has affected individuals while reflecting broader historical and cultural trends over time.
Scholars and graduate students in relevant disciplines including but not limited to History; English; Women's, Gender & Sexuality Studies; and Cultural Studies are encouraged to submit. Possible papers for this approved special session are not limited to:
• Advice - Doctors (Spock, Sears, Laura, Phil); Parenting Literature
Baby at the Breast: Representations and Discourses of Breastfeeding in Western Culture
MLA 2013 Jan. 3-6 Boston
This proposed session seeks papers that explore depictions of breastfeeding in Western literature, film, art, etc., (any period) and analyze the engagement of these representations with the ever-changing and often contentious discourses of motherhood and womanhood.
"Gaming the System: The Global Stakes of Comparative Study"
For the first time in its 38 year history the SCLA is coming to Vegas, October 25-28, 2012 University of Nevada Las Vegas Convention Center
Keynote Speaker: Bruce Clarke
Paul Whitfield Horn Professor of Literature and Science Texas Tech University
"Gaming the Trace Systems Theory for Comparative Literature"
Plenary Speaker: Eric Hayot
Professor of Comparative Literature Penn State University
"Cosmographies: A Theory of Represented Worldedness"
We welcome 250 word paper proposals or 500 word panel proposals on topics including:
With its etymological roots in the Latin spectare ("to view, to watch") and spectaculum ("a show"), spectacle indicates a vital, if problematic, point of access to reality, identity, and history. Broadly defined, a spectacle is something exhibited to elicit awe, amusement, nostalgia, curiosity, fear, distraction, or other responses from viewers, and thus mediates the relationships between members of society, moments in history and dimensions of self. When in 1904, Henry Adams suggested the continuity between Gothic cathedrals and world's fairs as both were media of "infinite energy," he exposed the diversity and unity of spectacles as cultural forms.