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Humanities Journal Call For Submissions

updated: 
Saturday, February 11, 2012 - 11:46am
St. John's University

We are seeking essays, book reviews, and interviews for the upcoming Spring issue due out in April. The theme is Nationalism: Roots and Transgressions. The focus is on the areas of national identity or transnationalism, acculturation, cultural diffusion, or culture shock. The approach may be primarily sociological and historical, or literary in nature. What we want are submissions that address these themes in new and exciting ways that express the multiplicity of angles and issues these broad headings generate.

Book Reviews should be suitable for a broad academic audience similar to The New York Review of Books and The New Republic abd should be under 2000 words.

Exegesis Postgraduate E-Journal (all research/creative writing welcome): DEADLINE APRIL 30

updated: 
Saturday, February 11, 2012 - 8:50am
Exegesis Journal

In our inaugural issue we wish to address the diversity of meanings available to this e-journal's title—Exegesis. Though exegesis traditionally applies to the interpretation of a religious text, it has also been applied to secular literature in an attempt to understand an author's intended meaning. We view the broader concept of the term exegesis as a critical explanation of a work of literature across the disciplines. To this end, we invite articles, reviews, and creative pieces that provide any type of exploration of the meaning of a text.

Possible topics might include, but are not limited to:

Literature and Reductionism

updated: 
Friday, February 10, 2012 - 5:30pm
Joshua Gang / Rutgers University

MLA 2013 (Boston), January 3-6

Special session: Literature and Reductionism

What is reductive thinking—and is it always a bad thing? This panel invites papers that reconsider reductionism as a formal, theoretical, disciplinary, or historical problem.

200-word abstract and brief bio by 10 March 2012 to jsgang@gmail.com.

Call for Guest Columnist - Revolutions & Reversals - Volume 2, Issue 2

updated: 
Friday, February 10, 2012 - 5:21pm
Diesis: Footnotes on Literary Identities

The guest column for this issue should provide a general discussion of one or more of this issue's themes as they present themselves in literature and/or history.

Volume 2, Issue 2: Revolutions & Reversals

We are currently experiencing a worldwide rejection of corruption in government: widespread revolution in the Middle East, the tea party, the occupy movement. We would like for this issue to speak to these shifting attitudes in the way we approach and think about authority and social structures. We particularly encourage literary criticism that takes up as one of its primary goals the examination of the following in literature: authority, politics, government, familial structure, utopia, dystopia, gender, social norms, etc.

Call for Articles - Revolutions and Reversals - Diesis Volume 2, Issue 2 - Deadline for Submission: March 1st, 2012

updated: 
Friday, February 10, 2012 - 5:19pm
Diesis: Footnotes on Literary Identities

Diesis Volume 2, Issue 2:
Revolutions & Reversals

Submission Deadline: March 1st, 2012

The Editorial Board of Diesis: Footnotes Literary Identities (ISSN 2161-3095), a journal of literary criticism particularly interested in giving voice to undergraduate and graduate students, is inviting submissions to its third issue. This issue takes up authority, social structure, and the construction of desired realities in literature as its primary focus.

Transporting Bodies and Minds: 18th- and 19th-Century Travel

updated: 
Friday, February 10, 2012 - 3:06pm
University of Michigan, Eighteenth-Century Studies Group and Nineteenth-Century Forum

Throughout the eighteenth and nineteenth centuries, travelers of all kinds documented their experiences in private letters and diaries, official correspondence, life writing, spiritual and religious narratives, and ethnographic accounts. Furthermore, these experiences were often transformed into works of art, with real and imagined moments of contact serving as the inspiration for painting, music, poetry, prose fiction, photography, and other creative ventures. These aesthetic productions transformed the foreign into the national, the known into the unknown, appearing to expand access to other cultures--a model of cultural transportation that recent criticism is troubling.

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