The Graduate English Organization of the University of Maryland's Department of English invites graduate students to submit abstracts for our fifth annual interdisciplinary graduate conference. The theme of this year's conference is "The Body Electric."
Call for Papers: "Captivity Writing Unbound"
University of South Alabama (Mobile/Fairhope, AL)
October 11-13, 2012
Previously unpublished critical essays are being sought for a new volume tentatively entitled The Final Crossing: Death and Dying in Literature. Since the publication of Dr. Elisabeth Kübler-Ross's landmark study On Death and Dying (1969), thanatology has attracted keen attention from various fields of study, including psychology, psychiatry, sociology, gerontology, and medical ethics. Interestingly, thanatologists in those areas frequently turn to literature in their study of death and the phenomena and practices related to it. Considering that death and dying is a prominent theme, motif, and symbol in world literature, it is no wonder that they find literary works resourceful.
In The Plague of Fantasies, Slavoj Žižek describes Lacan's readings of classical, literary, and philosophical texts as "a case of violent appropriation…displacing the work from its proper hermeneutic context." And yet, he argues, "this very violent gesture brings about a breathtaking 'effect of truth'" and "a shattering new insight."
This conference, hosted by the English Department at Southern Methodist University, invites graduate students to interpret and explore the function of violence in all of its multitudinous forms, including, but not limited to, its function in literature. We invite proposals for consideration that reflect any and all interdisciplinary explorations of violence as trope, historical event or discursive technique.
"Retrofitting English Studies: When Diversity Becomes an Afterthought"
April 7-8, 2012
Speaker: Jay Dolmage
Edge: A Graduate Journal for German and Scandinavian Studies is
accepting submissions for its third edition. We are seeking
original scholarly research as well as book and film reviews.
Edge is a peer-reviewed, open access, interdisciplinary graduate
student journal. The journal is published annually under the
direction of graduate students in the German and Scandinavian
Studies program at the University of Massachusetts Amherst with
the support of the W.E.B.DuBois Library.
University of North Carolina Wilmington Graduate English Association
Call for Papers: "Great Textations: Celebrating English Scholarship"
Date: April 21, 2012 from 10 AM – 6 PM
Location: University of North Carolina Wilmington, Morton Hall
Submission Deadline: February 27, 2012
Proposals are invited for 20-minute papers, comprised panels, and roundtable sessions, which consider any period or genre of literature about, set in, inspired by, or alluding to central and suburban London and its environs, from the city's roots in pre-Roman times to its imagined futures. While the main focus of the conference will be on literary texts, we actively encourage interdisciplinary contributions relating film, architecture, geography, theories of urban space, etc., to literary representations of London. Papers from postgraduate students are particularly welcome for consideration. While papers on all areas of literary London are welcomed, the conference theme in 2012 is 'Sports, Games, and Pastimes'. Topics that might be addressed are:
Keynote speakers: Susan Bassnett, Terry Eagleton, and Konrad Schröder.
2012 marks the 250th anniversary of the election of John Tompson as the first Professor of English at Goettingen University. His English Miscellanies was one of the first English publications ever in Germany, and was also the first anthology composed in an academic context for the purpose of the mediation of English literature and culture to German students of English. The Miscellanies was therefore an important watershed in the development of British-German literary and cultural transfer.
Deformity is traditionally sanitised and fitted into a structure of normality. The academy tends to obscure the complexity of the sensuous/sensual/sensed body of the deformed subject, and of the questions, anxieties, and denials which surround deformity when it is located within a continuum of sense.