The concept of the undead focuses our attention upon the paradoxical, aporetic, seemingly-permeable boundaries between life and death, and between past and present. Within the scope of this seminar, we are interested in how embodied or estranged voices, narrative, and stories, pass through those boundaries.
Often hailed as a 'national genre', the short story has known a long, diversified and distinguished tradition in Ireland, with such famous representatives as Sheridan LeFanu, James Joyce, George Moore, Somerville & Ross, Liam O'Flaherty, Mary Lavin, John McGahern, Anne Enright, Éilís Ní Dhuibhne, Claire Keegan and many others.
The aim of this conference is to map and critically assess different theoretical approaches to the interlinking of short stories in a collection. Within the Anglo-American critical tradition, the dominant critical frame is that of the short story cycle (although several rival terms have been coined, such as short story sequence, composite novel, or short story composite), while in the Francophone tradition, the short story cycle has been linked to a broader variety of genres and forms of textual organization. In yet other contexts, such as Italian semiotics, short story collections have been analysed as "macrotexts" (macrotesto).
12 April 2012, Newcastle University
Professor Nicola Humble (Roehampton)
We are welcoming graduate and undergraduate student papers or full panel proposals that address any area of literature (British, American, world, colonial and post-colonial, medieval, modern, contemporary, etc.), rhetoric, composition, or pedagogical studies. Please submit a 250-300 word abstract to firstname.lastname@example.org. Submissions must include name, institutional affiliation, student status (graduate or undergraduate), contact information (name, phone number, address, email address), and a list of any audio/visual equipment needed for your presentation. Presentation time should be limited to 20 minutes (usually about ten pages).
In the 2010 Oscar-winning Best Documentary Feature film The Cove, the film's director Louie Psihoyos describes on-screen the film's approach and activist goals in documenting the slaughter of dolphins in Japan's Taiji: "There was two parts to the mission. The first one was to get the auditory experience. . . . The second mission, what we call the full orchestra," involved installing numerous cameras and microphones underwater and around the cove in which the slaughter took place. "I wanted to have a three-dimensional experience," Psihoyos then explains in voice-over, "with what's going on in that lagoon. I wanted to hear everything that the dolphins were doing, everything that the whalers were saying. The effort wasn't just to show the slaughter.
Call for Papers
New Voices, a Graduate English Conference
Bodies of Influence: The Human Body in the Humanities and Sciences
Georgia State University, Atlanta, GA
January 12-14, 2012
Keynote Speaker: Marilynn Richtarik, Associate Professor of 20th‐Century British and Irish
Literature and author of a critical biography of playwright Stewart Parker, forthcoming from
Oxford University Press.
Watermark, an annual scholarly journal published by graduate students in the Department of English at California State University, Long Beach, is now seeking papers for our sixth volume to be published in May 2012. Watermark is dedicated to publishing original critical and theoretical papers concerned with the fields of rhetoric and composition and literature of all genres and periods. As this journal is intended to provide a forum for emerging voices, only student work will be considered.
McGill English Graduate Conference CFP
Ghost Stories: Hauntings and Echoes in Literature and Culture
27-29 January 2012
McGill University, Montreal
The McGill English Department's Eighteenth Annual Graduate Conference on Language and Literature invites submissions on the topic of literary hauntings. How do ghosts of the past figure in literature, theatre, film, television, and other texts and cultural artifacts? How do familial, imperial, social, linguistic, or national legacies influence artists and their work? How do texts "remember" historical events or other texts? Potential topics include, but are not limited to: