Due to some last-minute obstacles, New Voices has been postponed until early 2012. We will re-issue a CFP once we have definitive dates. Proposals already submitted will still be reviewed. Thank you for your patience and understanding.
The 2012 issue will focus on "Shakespeare and Performance." We are interested in articles that consider any aspect of performance in historical or contemporary productions of Shakespeare and his contemporary playwrights. The following list is of possible topics, but should not be considered exhaustive:
The Cultural Politics of Ageing in the Nineteenth Century:
International Conference at the University of Regensburg, 24-26 November 2011
Conference Venue: Haus der Begegnung, Hinter dem Grieb 8, Regensburg (Germany)
Confirmed Speakers: David Amigoni, Katharina Boehm, Lynn Botelho, Karen Chase, Nigel Goose, Kay Heath, Inge Kroppenberg, Norbert Lennartz, Teresa Mangum, Gordon McMullan, Greta Olson, Jochen Petzold, Rebecca Probert, Helen Small, Brian Worsfold, Anne-Julia Zwierlein
EDUCATING THE IMAGINATION: A CONFERENCE IN HONOUR OF NORTHROP FRYE ON THE CENTENARY OF HIS BIRTH
October 4,5,6, 2012 | Victoria University in the University of Toronto
Mindful Body in Healing and the Arts
The Center for Body, Mind and Culture invites proposals for papers to be presented at a 2-day conference, January 19-20, 2011 at Florida Atlantic University, Boca Raton.
Regarding the body as sentient, purposive subjectivity (rather than mere physical flesh), the conference will focus on ways that somatic mindfulness can contribute to health, healing, and aesthetic experience. Papers dealing with disciplines of mindful body consciousness (Asian and Western) and their applications in the areas of wellness, fitness, and the arts are especially welcome.
Alien invasion, viral outbreak, nuclear holocaust, the rise of the machines, the flood, the second coming, the second ice age—these are just a few of the ways human beings have imagined their "end of days." And someone's Armageddon clock is always ticking—we just dodged Harold Camping's rapture on May 21st of this year, and the Mayan-predicted doomsday of 2012 is just around the corner. In the end, what do we reveal about ourselves when we dream of the apocalypse? What are the social and political functions of these narratives in any given historical period? How do different cultures imagine the apocalypse, and what do these differences reveal? What is particular to the narratological design and content of apocalyptic texts?
**Abstracts sent to the email@example.com has been lost. Please resend immediately to the alternative emails above**
This panel will examine eighteenth-century British fiction and the relationship between violence, obscenity and humor. Novelists' use of the obscene joke is a tempered way to suppress the blurring lines of distinction between classes and to maintain hierarchy, a direct response to the changes in society and to the increasing sensitivity to vulgar subjects in polite society. This panel is interested in discovering how authors mobilize social anxiety through violence, obscenity and humor.
Sessions are scheduled in 1½ hour slots, with four papers or speakers each. You may propose individual papers, special panels, or sessions organized around a theme.
Possible sea-related topics include, but are not limited to:
►Film, art, music, and television
►Sea sagas from western & non-western cultures
►Recreation, technology, business
Call for Papers: "Of Queen's Gardens": Victorian Ecofeminism
This panel invites ecofeminist readings of Victorian literature
(novels, poetry, prose), wherein women are frequently given "natural" traits or are associated with the earth. Ecofeminist interpretations may highlight the damaging consequences of this link, or celebrate women's potential to reform cultural/environmental attitudes because of it. In what ways does the woman/nature link function in Victorian literature? What do these interpretations reveal about Victorian
attitudes about gender and the environment, and the treatment of each?
Please e-mail abstracts of 300-500 words to Margaret Kennedy,
CALL FOR PAPERS
LGBTQ Focus Group
Association for Theatre in Higher Education (ATHE) Conference
August 2-5, 2012, Hyatt Regency (Capitol Hill), Washington, DC
Individual Papers or Presentations: October 15 (send to conference planner Nick Salvato, firstname.lastname@example.org)
Complete Sessions: November 1 (submit online directly to ATHE at www.athe.org)