Though its title foregrounds art and visual culture, this conference will treat "picturing" in all its many senses: imagining, representing, framing, mapping. We invite papers and panels that consider how the nineteenth century represented itself to itself – through depictions of subjectivity, history, and culture; through emerging technologies and disciplines; through self-conscious "meta" attempts to understand methods of representation. We also encourage papers that consider how our own technologies and disciplines create multiple pictures of "the nineteenth century." Interdisciplinary papers and panels are especially welcome.
Paranoia and Pain (University of Liverpool, 2-4 April 2012) is an international cross-disciplinary conference, seeking to raise an awareness of various intersections of literature and science. The conference aims to explore overlapping paradigms of paranoia and pain in psychology, biological sciences, and literary texts/contexts.
For further information on the conference and events, please visit http://paranoiapain.liv.ac.uk
Soundings: An Interdisciplinary Journal invites essays on topics related to any and all aspects of human values, including aesthetic, moral, political, economic, scientific, or religious values. Affiliated with the Society for Values in Higher Education, the journal has recently moved to Florida State University, where it will be housed in the Center for Humanities & Society and edited by John Kelsay of the FSU Department of Religion. We welcome work from a variety of disciplinary and/or interdisciplinary approaches, including the arts, cultural studies, history, literature, philosophy, and religion, among others.
The following CFP is for a panel taking place at the Annual Northeast Modern Language Association Annual Convention in Rochester, New York on March 12-15, 2012.
The periodical writer often depended upon establishing a distinguishable identity to achieve his/her popularity. Yet some of the most successful examples were pseudonymous figures like Charles Lamb's Elia and James Hogg's Ettrick Shepherd. Such figures often played fast and loose with notions of stable identity, altering and contradicting their fictional backstories with each month's contribution. Operating through such mercurial personas, these writers utilized the market's potential for fluctuating identity described by Lynch.
This panel will explore the dynamics of love and violence in the British literature of the Victorian period, examining the question of why this fascination, why the rich and frequent presence of these sites of violence and love in an age that extolled the virtues of restraint, moderation, control. What can such an inquiry tell us about the age, its artists, and their audience? Submit a 250 word abstract by September 30, 2011. Robert E. Lougy, The Pennsylvania State University
This panel will explore the dynamics of love and violence in the British literature of the Victorian period, examining the question of why this fascination, why the rich and frequent presence of these sites of violence and love in an age that extolled the virtues of restraint, moderation, control. What can such an inquiry tell us about the age, its artists, and their audience? Robert E. Lougy, The Pennsylvania State University
Chair: Robert Lougy
Desiring Statues: Statuary, Sexuality and History Conference
University of Exeter, 27th April 2012
Stefano-Maria Evangelista (University of Oxford)
Ian Jenkins (British Museum)
Statuary has offered a privileged site for the articulation of sexual experience and ideas, and the formation of sexual knowledge. From prehistoric phallic stones, mythological representations of statues and sculptors, e.g. Medusa or Pygmalion, to the Romantic aesthetics and erotics of statuary and the recurrent references to sculpture in nineteenth- and twentieth-century sexology and other new debates on sexuality, the discourse of the statue intersects with constructions of gender, sex and sexuality in multiple ways.
Concentric: Literary and Cultural Studies
Vol. 38 No. 1, March 2012
Deadline for Submissions: August 15, 2011
This call is for a panel to be proposed for the 2012 Cultural Studies Association Conference at the University of California, San Diego, March 28-April 1, 2012. The panel will explore the ways in which the representation of addiction or compulsive behaviors constitute individual subjects as variously othered. Some questions presenters might answer include: What comes of the intersection of addiction and, for instance, disability, race, class, gender, sexuality, or other markers of difference?