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victorian

Evidence--Victorian Division panel for MLA 2112 (Seattle)

updated: 
Friday, January 28, 2011 - 6:55pm
MLA Division on the Victorian Period

In the sciences, in the humanities, and in everyday life, evidence differs among (and is contested within) different disciplines, historical moments, and epistemologies. We seek papers that take up the question of evidence in the Victorian Period and that reflect upon our own evidentiary practices.

[UPDATE] Special Topics Session: "Productive Silences" (Annual RMMLA Conference October 6-8, 2011)

updated: 
Friday, January 28, 2011 - 3:04pm
Pamela J. Rader/ RMMLA 2011 in Scottsdale, AZ

Special Topics Panel: Productive Silences
History and the history-making process, while seeking to remember, often call attention to singularity of perspective, which results in silencing the memories of survivors. Literature then steps in to fill the gaps or the lacuna of silence. In this imaginative, fictional realm, silence and those silenced by historians, dictators, and forgetfulness find agency. Understood as a form of resistance, silence becomes a literary ruse: a voice or a perspective that once lacked agency now finds a place on the page.
Narratives that use ruses of hidden or lost documents (such as letters, journals, and oral testimonies) are particularly interesting.

Everything & More: Theorizing the Encyclopedic Novel... MLA 2012 Seattle

updated: 
Thursday, January 27, 2011 - 7:23pm
Brendan Beirne, New York University Dept. of English & American Literature

This panel seeks to consolidate and refine our understanding of the encyclopedic novel as a distinct (sub)genre within the broader field of novel studies / narratology.

What conventions mark texts as encyclopedic, and how have these conventions developed over time? How does a text's encyclopedism influence its reception by literary critics and narrative theorists? And how does the increasing ubiquity and accessibility of information in our culture effect the way we interpret 'data-saturated' novels of the past and present? These and other questions will inform our discussion.

3rd Annual Graduate and Undergraduate Student Conference on Literature, Rhetoric and Composition - April 1-2, Chattanooga TN

updated: 
Thursday, January 27, 2011 - 11:49am
Sigma Tau Delta - Xi Alpha chapter and The University of Tennessee at Chattanooga

We are welcoming graduate and undergraduate student papers or full panel proposals that address any area of literature (British, American, world, colonial and post-colonial, medieval, modern, contemporary, etc.), rhetoric, composition, or pedagogical studies. Please submit a 250-300 word abstract to xialpha.utc.conference@gmail.com. Submissions must include name, institutional affiliation, student status (graduate or undergraduate), contact information (name, phone number, address, email address), and a list of any audio/visual equipment needed for your presentation. Presentation time should be limited to 20 minutes (usually about ten pages).

Victorian Medievalisms: Speculum Societatis—A Mirror for Society

updated: 
Thursday, January 27, 2011 - 9:56am
Bemidji State University

The Victorian Age in many ways looked back to the medieval period as a time that was more stable, that embodied ideals to be emulated in the modern world, for examples of sound leadership, orthodox belief and faith, and divinely ordained social structures. These medievalisms took many forms, including Alfredian celebrations, interest in Arthurian romances, neo-Gothic architecture, reforms in the Church, Pre-Raphaelite paintings of knights and ladies, and Count Dracula. The medieval in all its forms was shaped into a mirror by which the Victorians both escaped their own world but also harnessed the old to help form the new world of the 19th century.

RUINs in Twentieth-Century British Art and Fiction

updated: 
Thursday, January 27, 2011 - 5:46am
Society for Twentieth Century British Studies and the Society for Intersemiotic Text/Image Studies

As opposed to the Gothic labyrinths of vaults and broken palaces or shattered abbeys, in the nineteenth century the picturesque legacy grew into a passion for sublime ruins as crystals of time, suffused with melancholy pleasure. From Romantic hubris (and the fascination for Troy or Pompei) to Turner's luminous visions or Hardy's carved windows and stone coffins, ruins offered dwindling points of aesthetic stability as well as symptoms of mutability in a changing world stamped by Darwinian ruthlessness.

Victorian Medievalisms: Speculum Societatis—A Mirror for Society

updated: 
Wednesday, January 26, 2011 - 2:18pm
BemidjiState University British Studies

The Victorian Age in many ways looked back to the medieval period as a time that was more stable, that embodied ideals to be emulated in the modern world, for examples of sound leadership, orthodox belief and faith, and divinely ordained social structures. These medievalisms took many forms, including Alfredian celebrations, interest in Arthurian romances, neo-Gothic architecture, reforms in the Church, Pre-Raphaelite paintings of knights and ladies, and Count Dracula. The medieval in all its forms was shaped into a mirror by which the Victorians both escaped their own world but also harnessed the old to help form the new world of the 19th century.

Literature, Faith, and Metamorphosis: Transformative Journeys

updated: 
Wednesday, January 26, 2011 - 12:50pm
2011 West Regional Conference on Christianity & Literature, Vanguard University of Southern California

http://vanguardccl.wordpress.com/
Proposals for scholarly or creative panels, interdisciplinary sessions, round tables, or individual fifteen to twenty-minute presentations on the interface between literary studies and Christianity. Special consideration will be given to papers relating to the conference theme, "transformative journeys."

CFP: Fear, Horror and Terror 5 (September, 2011; Oxford, United Kingdom)

updated: 
Wednesday, January 26, 2011 - 7:09am
Dr Rob Fisher/Inter-Disciplinary.Net

5th Global Conference
Fear, Horror and Terror

Tuesday 6th September 2011 – Thursday 8th September 2011
Mansfield College, Oxford, United Kingdom

This inter-disciplinary and multi-disciplinary conference seeks to examine and explore issues which lie at the interface of fear, horror and terror. In particular the project is interested in investigating the various contexts of fear, horror and terror, and assessing issues surrounding the artistic, cinematic, literary, moral, social, (geo) political, philosophical, psychological and religious significance of them, both individually and together.

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