May include disseminating sexual "knowledge," lecture tours, public health education, schools & universities, education & the New Woman, teaching the fin de siècle. Not limited to Anglophone. Abstract of 300 words and C.V. by March 10; Helena Gurfinkel (email@example.com)
CFP ASA 2011: Pre-Occupied Space
The PhD in Humanities (http://louisville.edu/humanities) and the Association of Humanities Academics at the University of Louisville (ahalouisville.com) announces the annual University of Louisville Graduate Conference in Humanities, March 25, 2011.
New Directions in Critical Theory Conference
"Singularity: Transdisciplinary Explorations in Language, Culture, and Theory" The University of Arizona (Tucson, AZ) April 29-30, 2011.
Keynote Speaker: Vincent B. Leitch, General Editor - Norton Anthology of Theory & Criticism
Plenary Speaker: Jerrold E. Hogle, University of Arizona
The NJCEA is soliciting papers considering a broad range of literary and composition topics for its annual conference. Paper proposals are now being accepted for the following panels (contact session convener listed below).
Extended Deadline January 16, 2011
1."Literature of Africa and the African Diaspora," Daniel Gover, Convenor, Kean University firstname.lastname@example.org
2."John Milton and the Prophetic," Dan O'Day, Convenor, Kean University email@example.com
3."Current Issues in Second Language Writing," Gita Das Bender, Convenor, Gitanjali.DasBender@shu.edu
Announcing the call for papers for a graduate conference on appreciation and critique: on April 2nd and 3rd, 2011. The University of Wyoming Department of English will be hosting an academic conference for graduate students of all disciplines to present papers and articles on the interplay of appreciation and criticism. More information available at www.uwappreciates.com.
Panel Proposal: Performing Philanthropy
Apologies for cross-posting.
Please see below our general call for papers for our symposium: The Rest is History: Ireland, Performance and The Historical Imagination.
This symposium seeks to re-negotiate the archive of Irish theatre and performance in order to cast a light on those subterranean dramaturgies that are either characterised as the discontents of historical time or indeed, transmogrified into the historical imagination.
Recent Gothic studies have increasingly looked into problems associated with the idea of delimitation, both in terms of material and media. This leads to the two sets of questions implied in this conference's title: Where are the limits of the 'classic' Gothic tradition? Where have these limits been reached or even transgressed? Can one speak about a 'post-Gothic mode'? What, if anything, is capable of replacing the Gothic? The second set of questions is prompted by the commercialisation and commodification of an increasingly romanticised Gothic and its diffusion among different media and modes: Is the Gothic dependent on 'literature'? Are there media-specific 'Gothics'? Which intermedial and intermodal forms are there?
ASLE UK (Association for the Study of Literature and the Environment (UK) www.asle.org.uk ) invites proposals for its Postgraduate Conference to be held from 9 to 10 September 2011 at the Centre for Creative Collaboration (www.creativecollaboration.org.uk, London WC1), on the theme of 'Emergent critical environments': Where next for ecology and the humanities?'
Keynote speakers include: