Papers invited for the joint (guaranteed) South Asian Literary Association-MLA panel exploring the incorporation of South Asian visual and literary traditions in the subcontinent’s comics. Inspired by the MLA 2019 theme of “textual transactions,” this panel explores the constitutive relations among South Asian graphic narratives and the region’s local, folk and national visual as well as literary cultures. This panel is interested in teasing out what makes South Asian graphic narratives' image-text interactions distinct from that of Western comics. What visual frames of reference do they rely on? How are image and text mutually constitutive in Indian graphic narratives?
world literatures and indigenous studies
Please consider the following CFP for the guaranteed session at the 2019 Chicago MLA Convention. Diasporas, Aesthetics, and Southeast Asia
Forum: CLCS Southeast Asian and Southeast Asian Diasporic
What aesthetics (or anesthetics) do diasporic movements into/out of/within Southeast Asia generate? Comparative and multimedia approaches welcomed. 300 word abstracts and bios by 15 March 2018; Cheryl Narumi Naruse (email@example.com).
The Department of Spanish, Portuguese and Latin American Studies of University College Cork, with the support of the Centre for Advanced Studies in Languages and Cultures (CASiLaC), has great pleasure in inviting you to the Beyond Borders?New Formulations in Hispanic and Lusophone Studies’June 28 - 29, 2018University College Corkhttps://beyondbordersucc.wordpress.com This symposium aims to offer postgraduate and early-career researchers the opportunity to gather in a formative space to transverse spatial, temporal, and linguistic borders and perspectives. The current situation of the disciplines beneat
Call for Participation for
The Fourth International Symposium on Intermedial Studies
Intermedial Practice and Theory in Comparison
Hangzhou, China, 15-17 November 2018
Graduate Student Conference
Fugitive Futures: Graduate Students of Color Un-Settling the University
21-22 September 2018, The University of Texas at Austin
“...the subversive intellectual came under false pretenses….Her labor is as necessary as it is unwelcome. The university needs what she bears but cannot bear what she brings”
— Fred Moten and Stefano Harney, The Undercommons: Fugitive Planning and Black Study
"Maroons and Indigenous Peoples: Towards a Sustainable Future"
June 20-24, 2018, Asafu Yard, Charles Town, Portland, Jamaica
Celebrating its tenth anniversary, the Charles Town International Maroon Conference welcomes papers and performances from scholars, artists, and activists interested in exploring this year's theme of sustainability. It will explore the ways Maroons and other Indigenous Peoples have evolved relationships with the environment that can provide resources for today's ecological challenges. Approaching "sustainability" in broad theoretical and cultural terms, the conference will consider the roles indigenous environments, peoples, histories, and cultures play in securing an ecologically sustainable future.
What exactly is the content of a literary text, and how does it affect the experience of reading? How should critics approach a text's overt elements and ideas? A lengthy and currently influential tradition of thought has emphasized literary form in a variety of creative ways, but very little has been done to explain how critics should think about content. This panel will bring together six scholars, who will each briefly (in 8 to 10 minutes) offer a definition of literary content and an example from a particular text. Please submit an abstract for such a paper, along with a one-page CV, to pfessenbecker at gmail.com by March 15.
Note: this is a non-guaranteed special session, and requires MLA approval.
This panel will discuss the place of humour and laughter in African literatures and literatures from the African diaspora. What are the various ways in which humour manifests itself, and to what end? Diverse methodological approaches are welcome. Please send a 250-word proposal and a short bio.
This CFP seeks work that examines the intersection of animal studies with contemporary ecopoetry from around the world. The human/nonhuman distinction entails an interdiction as much as establishes the safety of a boundary that maintains human hegemony in relation to other species. Yet, the animal can powerfully redirect attention toward the necessity of humility as well as deconstruct ideas of autonomy and superiority too often entangled with human self-understanding. This panel asks how the animal negates or reifies the human/nonhuman distinction, but also how the animal speaks, or is silenced, in contemporary ecopoetry. How does the animal appear as an ethical imperative in the age of the Anthropocene and of the Sixth Mass Extinction?