The Journal of Historical Fictions welcomes proposals from disciplines as diverse as archaeology, literature, film, history, media studies, art history, musicology, reception studies, and museum studies. We encourage ambitious approaches of high quality, using new methodologies to support research into larger trends. The Journal aims to foster more theoretically informed understandings of the mode across historical periods, cultures, media and languages.
world literatures and indigenous studies
From March artist Nate Powell sharing a poster design for the Women’s March to Phil Noto’s revised image of Muslim American superhero Kamala Khan going viral in response to the Executive Order on Immigration, comics have played an active role in recent social protests. They have formed the visual vocabulary of protest, taking advantage of the combination of text and image to efficiently circulate ideas of resistance. The role of comics in social protest is not new.
This panel welcomes papers analyzing fictionalized narratives of "comfort women" (military sexual slaves during WWII) in literature and/or film. Paper proposals addressing the SAMLA 89 theme of "High Art/Low Art" are especially welcome. By May 28, please submit a 500-word abstract, brief bio, and A/V requirements to Laura Barberan Reinares, Bronx CC of the City University of New York at email@example.com.
Global Fantastika: Special Edition
“Fantastika”, coined by John Clute, is an umbrella term which incorporates the genres of fantasy, science fiction, and horror, but can also include alternative histories, steampunk, young adult fiction, or any other imaginative space.
Call for Proposals: “Bildung Across Languages”
MLA Convention 2018
New York City
January 4-7 2018
What was the attitude towards genius in an age that produced a great number of polymaths? Is ingenium strictly a natural disposition, innate quality, talent or temperament? Or to what extent must this natural quality be formed through a process of education, including self-education? Papers are invited for a special session at the Neo-Latin Congress at Albacete, Spain, 29 July - 3, August 2018, that focus on a single subject who worked in Latin in the period. The theme of the congress is Humanity & Nature: Arts & Sciences in Neo-Latin Literature. Please send your abstract of 150-200 words as a Word attachment, including your name, institutional affiliation (if any), address, email, and telephone number.
The “Arrival” of Jia Pingwa in World Literature: Translation and Interpretation
A Roundtable sponsored by the LLC Modern and Contemporary Chinese Forum for the MLA Annual Meeting in New York, Jan. 4-7, 2018.
Call for Papers: International Conference, “Yoon Dong Ju: ‘A New Path’”
December 8-9, 2017
Yonsei University, Seoul, South Korea
Watermark 11 has extended the submission deadline to Monday, Feb. 20th, 2017! We advise all graduate students to participate in this great opportunity to have your work (seminar papers, critical essays, book reviews, etc.) reviewed by a blind, peer-review panel, as well as an opportunity to be published in an academic journal.
"Where is Paradise, Lantanacamara?" -- a question readers of Shani Mootoo’s Cereus Blooms at Night (1996) may reasonably ask as they are immersing themselves in that locale. Contemporary literature often takes world-making as a matter—and the stuff—of diegesis, not mimesis. Form, not the formation of a nation, seems among others a feature of contemporary fiction in world-making and situating the reader. Taking a cue from Eric Hayot, who, in On Literary Worlds (2012), sees “the world of the work of art” as a wholeness crafted, complete in itself and self-referential, and argues that such as a world is “always a relation to and theory of the lived world” (43-44), our panel invites papers that 1) explore how contemporary literature repre