From Diane DiMassa's caffeinated homicidal heroine in Hothead Paisan to Lee Edelman's sinthomosexual who "chooses not to choose the Child," revenge – if only phantasmatic – invigorates queer narratives, theory, even politics. And given that oppression breeds resentment, it is no intellectual leap to consider why revenge becomes a popular trope. But is there something inherently queer about revenge? Could we envision distinctly queer forms of revenge? Or is such an essentialist application of "queer" its very antithesis?
Call for Papers
C19: The Society of Nineteenth-Century Americanists Conference, Berkeley, CA, April 12-15, 2012
Teaching Prospects: Young Women as Educators in Nineteenth-Century American Literature
From post-colonial theory to sociology to anthropology, the concept of liminality has offered a means for understanding instances of cultural, social, and political "in-between-ness." I am looking to organize a panel that examines the nature, use, and/or function of the liminal in contemporary literature for the 2012 International Conference on Narrative, to be held March 15–17 in Las Vegas, NV (http://narrative.georgetown.edu/conferences/2012_Narrative_Flyer.pdf).
Calling for papers on any aspect of the HBO series Six Feet Under. Favorite character(s), favorite episode(s), major season arcs, themes. Will accept pitches until 8/12/11.
The journal Preternature (Penn State Press) invites articles that explore the relationship between objects, users and the preternatural world. How were objects construed? In what social, political and cultural contexts were they deployed, and how did the ways they were used help construct experience? How were these instruments related to crucial issues of proof and persuasion?
Sketched by themselves
Society tested by "panoramic" literature
Special issue of the open acces journal 'Interferences littéraires - Literaire interferenties' (number 8, May 2012)
edited by Nathalie Preiss (Université de Reims) & Valérie Stiénon (F.N.R.S - Université de Liège )
Alien invasion, viral outbreak, nuclear holocaust, the rise of the machines, the flood, the second coming, the second ice age—these are just a few of the ways human beings have imagined their "end of days." And someone's Armageddon clock is always ticking—we just dodged Harold Camping's rapture on May 21st of this year, and the Mayan-predicted doomsday of 2012 is just around the corner. In the end, what do we reveal about ourselves when we dream of the apocalypse? What are the social and political functions of these narratives in any given historical period? How do different cultures imagine the apocalypse, and what do these differences reveal? What is particular to the narratological design and content of apocalyptic texts?
CALL FOR PAPERS FOR THE 1ST WORLD HUMANITIES FORUM
IJoAT is an International Online Journal dedicated to all scientists and engineers involved in engineering and technology. IJoAT welcomes original research work containing innovative ideas in all disciplines. Papers submitted for potential publication in IJoAT are peer reviewed to ensure originality, technical correctness, relevance, readability and timeliness. Review articles comprising of in-depth understanding of the state-of-the-art technology and application trends are also invited.
Submission Deadline: Extended to September 30, 2011
Ishaan Literary Review is a new online journal of poetry, short fiction and dramatic works (including plays and screen plays).
We publish (roughly) 50% invited authors and 50% blind read/peer reviewed authors three times a year (Winter, Spring and Summer). We believe that readers should have a chance to see more than just one work by an author, so we will try to publish multiple works by the same author in each issue.
All submissions should be sent to our email address: email@example.com