The Editorial Collective of the National Poetry Foundation invites paper and panel proposals for the next in our sequence of "decade" conferences, to be devoted to the Poetry and Poetics of the 1980s, American and international, and to be held from Wednesday to Sunday, June 27-July 1, 2012, on the flagship campus of the University of Maine System in Orono, Maine.
Papers are sought for an approved PAMLA special session panel: Stage to Screen: Contemporary Playwrights.
Abstracts focusing on innovative ways of teaching Hughes's texts. Presenters must join the Modern Language Association and the Langston Hughes Society. 250 word abstract and CV by 10 March 2012 to Sharon Jones (email@example.com).
Call for papers Cultura. International Journal of Philosophy of Culture and Axiology
No. 1/2012 – "Cultural Illusions"
Deadline for paper submissions: March 31, 2012.
No.2/2012 – "Semiotics of World Cultures"
Deadline for paper submissions: August 31, 2012.
In each issue there is a section named "Views upon Ethics, Truth and Language". Therefore, articles that do not fit the topic of our calls for papers, can be submitted to the editors, following the formal rules indicated at: http://versita.com/cijpca/authors/
How do various ways of valuing objects and people—among them, moral philosophy, aesthetics, and political economy—emerge, conflict with, and complement each other during the Long Eighteenth Century (c. 1660-1830)? More specifically, how are these modes of valuation informed by narrative structures, and to what degree is narrative itself valued or devalued in their formation and/or reception and/or circulation?
From Akira to Žižek: Comics and Contemporary Cultural Theory
Papers are invited for Studies in Comics volume 3.2. This special issue seeks to provide a forum for new articulations between comics studies and contemporary cultural theory. The importance and continued relevance of post-structuralist/postmodernist thought, the Frankfurt school's studies of mass culture, McLuhan's media theory and Bourdieu's critical sociology are rightly acknowledged. Such figures dominate theoretical academic discourse on comics, as in other areas of cultural studies, often at the expense of engagement with alternative strands of critical thinking.
Twenty-First Century British Fiction – A Symposium
Saturday 12th May 2012, Birkbeck, University of London
Keynote address: Professor Robert Eaglestone (Royal Holloway)
A primera vista el ecofeminismo y el ciberfeminismo pudieran parecer tendencias opuestas, de hecho representan modos diferentes de crítica cultural de las presunciones sobre los cuerpos de las mujeres, nuestras vidas y nuestros textos. En conjunto, estas metodologías analíticas nos brindan perspectivas holísticas para analizar la producción cultural de las mujeres en un amplio espectro, desde lo natural y material hasta lo artificial y virtual, y todo lo que se incluye entre ambas categorías. L@s participantes pueden considerar cualquier época en sus ensayos y pueden abordar los siguientes temas: