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Director Spotlight: Orson Welles (Pitch Deadline: 3/30/2012)

updated: 
Wednesday, March 14, 2012 - 3:15am
PopMatters

Pitch Deadline: 30 March 2012
Final Deadline: 4 May 2012

Contact: Calum Marsh, Jordan Cronk and Sarah Zupko

Email: calummarsh@gmail.com, jordancronk21@gmail.com, editor@popmatters.com

Over the course of a week-long special feature, PopMatters is excited to offer a new venue for film scholars, historians, critics, and social theorists of any stripe to reexamine the legacy of one of the American cinema's most iconic but divisive masters, Orson Welles.

The Challenges of Late Modernism [UPDATE] - deadline extended 20 MARCH

updated: 
Wednesday, March 14, 2012 - 2:46am
MSA 14: Modernism and Spectacle (Las Vegas, Oct 18-21 2012)

This proposed panel seeks to examine the phenomenon of late modernism - is there such a thing, and how do we define it? Is it an analytically useful concept or should we think of another way of categorizing literature written after high modernism. Are there particular technological, social or political values that underpin late modernist writing? Can the concept of late modernism be extended beyond the Anglo-American world? Papers looking at either late modernism in a theoretical perspective or evaluations of individual late modernist authors are encouraged.

Please send a proposal (300 words) and a brief bio by 20 March to Marius.Hentea@UGent.be.

Trash Told Tales: Trash Talkin' from Whitetrashistan

updated: 
Wednesday, March 14, 2012 - 1:49am
Vicki Sapp and WIlliam Matthew McCarter / Fat Daddy's Farm

Fat Daddy's Farm Press has partnered with Vicki Sapp and William Matthew McCarter (Editors) to bring you Trash Told Tales: Trash Talkin' from Whitetrashistan. The editors are requesting short fiction, poetry, plays, or creative non-fiction, and various types of artwork, for an anthology of white trash literature.

It is the mission of Fat Daddy's Farm Press (fatdaddysfarm.org) to publish marginalized voices – narratives that fall through the cracks of the dominant discourse – and we feel that this topic deserves some serious consideration.

From the Editors:

Spectacular Language and Projected Verse (4 April; MSA Las Vegas, 18 October 2012)

updated: 
Wednesday, March 14, 2012 - 12:02am
Mike Chasar/Willamette University

Panel seeking papers on spectacular forms of language and poetry during the 19th, 20th, and 21st centuries in American or European contexts. We are especially interested in work that addresses the intersection of language, literature, and technology in the public or entertainment spheres. How, for example, does the development of proto-cinematic projection devices, cinematic technology, and now digital technology affect the way we encounter and experience language? Are only commercial forms of language broadcast in illuminated fashion to the public, or have there been literary instances of such "projected verse," thus putting a spin on Charles Olson's phrase (or setting it reeling)?

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