displaying 1 - 15 of 22


Wednesday, June 3, 2015 - 12:44am
Anna Weinstein, series editor

A new book series: "PERFORM: Succeeding as a Creative Professional"

To be published by Focal Press, an imprint of Taylor & Francis

This new series will serve as supplemental text for undergraduate and graduate students that professors across disciplines in the arts can use to accompany their primary textbooks. The books will have a conversational tone and will serve as career development to help students understand how to navigate the industry and vocational possibilities in their field. Specifically, this series will address business as opposed to craft and will offer insights into the day-to-day realities of the professions as well as long-term planning strategies to build and sustain a career in the arts.

Words Unofficial: Gossip, Circulation, Mediation (Nov. 19-20, 2015)

Tuesday, June 2, 2015 - 11:54pm
University of Chicago English Graduate Conference


Words Unofficial: Gossip, Circulation, Mediation
University of Chicago English Graduate Conference
November 19-20, 2015

Keynote Speaker: Prof. Susan Phillips, Northwestern University
Associate Professor of English and Alumnae of Northwestern Teaching Professor

[UPDATE] John Dos Passos and the Other Arts (SAMLA 2015: 13-15 Nov, Durham NC): Deadline extended

Tuesday, June 2, 2015 - 8:45pm
John Dos Passos Society

John Dos Passos was undoubtedly one of the most eclectic American writers of his generation. Faithful as he was to the intermedial aesthetics of modernism, he did not limit himself to the role of novelist, but frequently also crossed over into the neighboring arts: as an accomplished painter and illustrator, as a playwright and sometime set designer for the New Playwrights Theatre, and through his work on Hollywood cinema and documentary film. The resulting cross-pollination would fuel Dos Passos's creativity over the years, influencing his most celebrated novels.

West Indian Literature Conference 2015

Tuesday, June 2, 2015 - 6:18pm
University of Puerto Rico- Rio Piedras Campus

The West Indian Literature Conference 2015 announces its call for papers for its biannual conference to be held from October 1rst to 3rd at the University of Puerto Rico, Río Piedras Campus.

CfP: Texts in times of conflict [DEADLINE FOR ABSTRACTS 5 JUNE]

Tuesday, June 2, 2015 - 5:16pm
The Centre for Textual Studies and The Centre for Adaptations, De Montfort University

Reflecting on the seismic cultural and political shifts of his own time, Francis Bacon pinpointed 'printing, gunpowder, and the compass' as the technological drivers which had 'changed the appearance and state of the whole world'. Bacon's identification of communicative (print), violent (gunpowder) and technological (compass) forms of cultural expression and exchange as world-shaping continues to resonate, shaping the production and interpretation of texts.

NYU Forum on Educational Theatre April 21-24 2016

Tuesday, June 2, 2015 - 2:59pm
NYU Program in Educational Theatre

For our 2016 annual forum, the Program in Educational Theatre builds on the work of previous annual events in curriculum, assessment, teaching artistry, playwriting, ethnodrama, Shakespeare, citizenship, and site specific theatre by inviting the global community to propose workshops, papers, posters, narratives, and performances around one of the following topics:

•Drama in Education (i.e., studies in drama/theatre curriculum, special education, integrated arts, assessment and evaluation)

•Applied Theatre (i.e., studies in community-based theatre, theatre of the oppressed, the teaching artist, diversity and inclusion)

PAMLA Special Session Deadline extended--June 10 Performing Women's Roles: 1500-1700 England

Tuesday, June 2, 2015 - 2:57pm
Shane Wood- PAMLA

Abstract: This special session will explore the intricacies and expectations embodied in portrayals of womanhood in Renaissance and Restoration England. This session desires papers using literature and plays to discuss the realities for and suppositions of women that were common in this era, potentially looking at the broader social implications.

UPDATE - DEADLINE EXTENDED to July 15- 7th Annual Louisiana Studies Conference

Tuesday, June 2, 2015 - 1:59pm
Dr. Shane Rasmussen / Northwestern State University of Louisiana

The 7th Annual Louisiana Studies Conference will be held September 11-12, 2015 at Northwestern State University in Natchitoches, Louisiana. The Conference Committee is now accepting presentation proposals for the upcoming conference. The theme of this year's conference is "Louisiana Cultural Crossroads."

"Exquisite Shame": Ethics and Affects in Alice Munro A Collection of Essays-October 31, 2015

Tuesday, June 2, 2015 - 1:39pm
Amelia DeFalco and Lorraine York / McMaster University

In 2013 Alice Munro became the first Canadian author to win the Nobel Prize in Literature. Munro's win makes this the ideal time to return to and update the study of her work, in particular to probe the literary and philosophical richness of her work in the light of recent theoretical developments such as the "affective turn," and the "turn to ethics" in cultural studies. Earlier Munro scholarship focused on the role of gender in her fiction (Ailsa Cox, Coral Ann Howells, Beverly Rasporich, Magdalene Redekop), as well as on her cunning narrative style, her deft use of metanarrative, her thematic and stylistic deployment of tricks, jokes, and play (Ajay Heble), along with her transformation of the ordinary and the everyday (James Carscallen, W.R. Martin).

Society for the Study of Southern Literature Conference Boston, March 10‐12, 2016 The South in the North

Tuesday, June 2, 2015 - 1:34pm
Society for the Study of Southern Literature

SSSL's meeting in Boston will be the first the organization has held in a location north of the Mason‐Dixon line. Ironically, in many ways this has never mattered less, as Southern literary studies' formative focus on regional difference and distinctiveness has been retrained to take in a broader view of the South's reciprocal material and imaginary relations with the US North, other regions, the nation, and transnational permutations of North/South dynamics.

[REMINDER] Power and the Mediterranean, deadline June 15

Tuesday, June 2, 2015 - 1:01pm
Susan Abraham/Meditopos, University of Michigan

The conference "Power and the Mediterranean" will be held on 13-15 November 2015 at the University of Michigan, Ann Arbor, featuring keynote speaker Julia Clancy-Smith (University of Arizona).

Great Writing International Creative Writing Conference (Britain) - 2/1/15 (6/20 - 6/21)

Tuesday, June 2, 2015 - 12:30pm
Great Writing: International Creative Writing Conference - Imperial College, London

--- Participant Places Available ---

Great Writing International Creative Writing Conference (UK)
18th Annual International Creative Writing Conference
Imperial College, London, Great Britain*
Saturday 20 June – Sunday 21 June 2015

Although all peer-reviewed presenter places are now filled, participant places are still available, and you would be most welcome.

Participants can join in the discussions, and in all sessions throughout Saturday and Sunday, and can also be involved in this year's "New Writing International Creative Writing event" on Saturday night.

Book on Mad Magazine

Tuesday, June 2, 2015 - 11:23am
Judith Yaross Lee/Ohio University

Call for papers for a book on Mad magazine. We are looking for scholarly examinations of the magazine, its humor, its artists, its cultural and political impact, and its influence. The book is under consideration by a major university press, and will expand what was covered in a recent special issue of Studies in American Humor. Here is the link to the contents of that issue: http://www.jstor.org/stable/10.5325/studamerhumor.issue-30

RSA 2016: Reading Form in European Renaissance Poetry

Tuesday, June 2, 2015 - 11:04am
Discipline of Comparative Literature

RSA 2016, Boston

Reading Form in European Renaissance Poetry

Sponsored by the Discipline of Comparative Literature

Papers sought that offer historical interpretations of poetic form. How do Renaissance poets, theorists, and readers interpret and classify formal features of verse (including rhyme, meter, and generic forms like the sonnet or the epigram)? How do poets use form to position themselves in literary history? What is the relationship between poetic practice and the poetic theories presented in manuals and defenses of poetry? Comparative and multi-lingual papers especially encouraged.