CFP: Children in World Cinema
CFP Children in World Cinema
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CFP Children in World Cinema
AlterNative: An International Journal of Indigenous Peoples is a multidisciplinary internationally peer-reviewed journal published continuously online as well as in quarterly print issues. AlterNative presents scholarly research on Indigenous worldviews and experiences of decolonization from Indigenous perspectives from around the world. AlterNative publishes articles in English but also welcomes submissions in Indigenous languages, as well as ones that have been previously published in an Indigenous language and are translated into English.
For its 25th annual meeting, the British Women Writers Conference invites papers and panel proposals considering the theme of “Generations.” As we look back on a quarter-century of feminist scholarship and practice within British Studies, we want to celebrate those who have defined the British Women Writers Association’s past and nurture those who will shape its future. Of course, even within literary traditions or scholarly networks, generational transitions are rarely ever easy or smooth. Such transitions may be accompanied by paradigm shifts, struggles to be heard, or difficulty letting go. We therefore welcome investigations into the complexities of generational exchange and transition in women’s writing.
The Luso-Afro-Brazilian Studies session seeks proposals related to the literatures and cultures of Portugal, Lusophone Africa, and Brazil for the SAMLA 88 conference to be held in Jacksonville, FL, November 4-6, 2016. Papers that engage with the conference theme of utopia/dystopia in contexts such as exploration, migration, and nation formation in the Portuguese-speaking world are especially encouraged. By June 1st, please submit an abstract of up to 250 words and expected A/V requirements to Katherine Ostrom, Emory University, at kostrom@emory.edu.
In honor of Walker Percy’s 100th Birthday Anniversary, proposals addressing any topic or area celebrating Walker Percy’s life, his fiction, or his non-fiction are welcome. Send 300-word abstracts, brief bio, and A/V requirements to Dr. Karey Perkins, University of South Carolina - Beaufort, at both kareyp@uscb.edu and kareyperkins@gmail.com by June 7.
Much of Walker Percy’s fiction and non-fiction writing is social commentary. At least two novels - Love in the Ruins and The Thanatos Syndrome - may be called dystopian or post-apocalyptic. His numerous essays on race relations, on secular materialism, on misguided “self-help” books in a postmodern world seem to indicate that he suspected 20th century America was a dystopia itself. Additionally, Walker Percy’s personal life included social action in his local community and through the Catholic Church. Proposals addressing the SAMLA 88 theme "Utopia/Dystopia: Whose Paradise Is It?" in Walker Percy’s fiction, non-fiction, or life are welcome. Send 300-word abstracts, brief bio, and A/V requirements to Dr.
Anafora, an international journal published by the Faculty of Humanities and Social Sciences, University of Osijek, invites contributions for the upcoming volume.
Call for Articles : Translating and Adapting Petrarch (Proposed Collection of Essays)
Alternately celebrated and pilloried, mother figures have been assigned contradictory roles throughout the histories of English-speaking societies. Reflecting the power structures and conflicts of their times, they have been portrayed as pillars of society, providing material and emotional security, and models of sacrifice, or vilified for failing to perpetuate the expected values of individual responsibility and self-control. Nearly a century after winning political emancipation and almost half a century after the historic struggles for sexual emancipation—which yielded unequal results from one country to another—, women in all segments of society in the USA, the Republic of Ireland, the United Kingdom and the Commonwealth are still regard
Rolling CFP: The Phoenix Papers
The Fandom and Neomedia Studies (FANS) Association is pleased to announce a rolling CFP for our open access, peer-reviewed journal of fandom and neomedia studies. The projected publication date for our next edition is January 2017. Items submitted after 1 December 2016 will be considered for inclusion in the next journal edition in July 2017.
Fandom for us includes all aspects of being a fan, ranging from being a passive audience member to producing one’s own parafictive or interfictive creations. Neomedia includes both new media as it is customarily defined as well as new ways of using and conceptualizing traditional media.
October 29, 2016, 8:30am - 5:30pm
4th floor Information Commons, Lake Shore Campus, Loyola University Chicago
Keynote Speaker: Dr. Elaine Hadley, The University of Chicago Introductory Speakers: Anna Kornbluh and Benjamin Morgan, V21
In Past and Present (1843), Thomas Carlyle states, “The condition of England, on which many pamphlets are now in the course of publication, and many thoughts unpublished are going on in every reflective head, is justly regarded as one of the most ominous, and withal one of the strangest, ever seen in this world.”
English and Italian Hybridity
CFP for Renaissance Society of America, March 30-April 1, 2017, Chicago, IL.
SEMA 2016 Proposal
Call for Papers for SEMA 2016
The Medieval “Freak Show”: Putting the Monstrous on Display in the Middle Ages
People and creatures perceived as monstrous or wondrous are often put on display for profit or exploitation. At times, this exhibitionism presents itself as “education.” What has popularly been called the “freak show” achieved its height via the emergence of working class entertainments that transformed visual cultures in the nineteenth century, as exemplified in P.T. Barnum’s circus and its sideshows, but also including innovations such as the stereoscope and the panorama, which prepared the rise of cinema and, later, television.
International Bilateral Conference Portugal/Italy
Performance analysis: A bridge between theory and interpretation.
23-24 September 2016
A conference organised by the University of Brighton in association with the Royal Pavilion and Brighton Museum
Speakers include:
Steve Bell, political cartoonist
Martin Rowson, political cartoonist
Professor Ian Haywood, University of Roehampton
This event will also include a curatorial introduction to the caricature collection held at the Brighton Royal Pavilion & Museum, and a talk by the curator of the Cartoon Museum, London.