There is a subtle irony in the fact that Thomas Hoccleve, whose corpus of early fifteenth-century poems is saturated with the concepts of recovery and rehabilitation, has been at the center of a decades-long process of poetic and pedagogic rehabilitation in university English departments. No longer brushed aside as a mere epigone of Geoffrey Chaucer, the traditional nucleus of Medieval English literature syllabi, Hoccleve now claims a legitimate place in the late medieval canon. But what is that place exactly, as far as college classrooms go?
Since Thomas Hoccleve chose to set his “Compleinte,” the opening salvo of his five-poem Series, in the “broun sesoun of Mihelmesse” (an intentional inversion of Chaucer’s springtime “Aprill shoures”), critics of his poetry have been immersed in the depressive and disconsolate overtones of much of his verse. Hoccleve makes this easy—he dwells on his misspent youth and the infirmities of old age, bodily and financial. Malcolm Richardson’s decades-old evaluation of Hoccleve as an “unfortunate poet,” a “slacker” and “failed bureaucrat” remains alive in much current scholarship which scours Hoccleve’s self-admitted defeats and disappointments for evidence of his commentary on fifteenth-century English politics and identity-politics.
(Appel en français à lire en bas)
Maïssa Bey: Two Decades of Creativity (1996-2016).
Call for contributions: Edited volume.
Dreaming Asleep, Dreaming Awake International Conference, 7th-8th October 2016
EXTENDED DEADLINE: 10th August 2016
Dreaming Asleep, Dreaming Awake International Conference aims to spark new conversations about dreams and and their role(s) in cultural, social and personal contexts.
Papers are invited on topics related, but not limited, to:
The “LLC – International Journal of Linguistics, Literature and Culture” is a peer reviewed journal which accepts high quality research articles. It is a quarterly published international journal and is available to all researchers who are interested in publishing their scientific achievements. We welcome submissions focusing on theories, methods and applications in Linguistics, Literature and Culture, both articles and book reviews. All articles must be in English.
Our panel in 2017 will consider Elizabeth and her ruling strategies in relation to the material culture of early modern England. How did Elizabeth participate in production and consumption of material culture? How did material culture of early modern England reflect, shape, or ignore Elizabeth's taste, needs, and preferences? What household practices were modeled on those of the royal household? How did the city of London, the royal palaces, and places Elizabeth visited during her progresses accommodate the queen's needs? How were the material aspects of trade, gift-giving, cooking, writing, theater, etc. affected by Elizabeth's prominent position as a ruler?
SCMS 2017 Panel CFP: So Bad It’s Good
“Clearly, in cinematic circles of all kinds, there has been a significant realignment on the social terrain of taste, a powerful response to what has been termed ‘the siren song of crap’.”
- Jeffrey Sconce
“To understand bad taste one must have very good taste. Good bad taste can be creatively nauseating but must, at the same time, appeal to the especially twisted sense of humor, which is anything but universal.”
- John Waters
CFP: Reconsidering The Second Nun’s Tale
International Congress on Medieval Studies (May 11-14, 2017) in Kalamazoo, MI
CRITICAL AFRICAN STUDIES IN
GENDER AND SEXUALITY
SERIES EDITORS: Besi Brillian Muhonja and Babacar M’Baye
ABOUT THE SERIES: