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Medieval Texts in Transit: Continuities and Shared Spaces

updated: 
Tuesday, August 23, 2016 - 5:03pm
Miriam Edlich-Muth/ Free University Berlin and Alastair Matthews/ Centre for Medieval Texts (University of Southern Denmark/ University of York)
deadline for submissions: 
Friday, September 30, 2016

21–22 July 2017, Free University Berlin, in collaboration with the Sonderforschungsbereich 980, ‘Episteme in Bewegung’, Berlin, and the Centre for Medieval Literature, University of Southern Denmark (Odense)/University of York.

Do we overestimate the impact that the transient socio-political and formal linguistic borders of Western Europe had on the literary culture of the pre-nation state era?

Authorship (RBS-Mellon Conference, Philadelphia, October 2017)

updated: 
Wednesday, September 7, 2016 - 7:53pm
Session Organizers: Andras Kisery (The City College of New York), Caroline Wigginton (University of Mississippi)
deadline for submissions: 
Tuesday, October 25, 2016

Friday, 13 October 2017, 3:45–5:15pm

Bibliography Among the Disciplines Conference, 12–15 October 2017, Philadelphia, PA

Books as Agents of Contact (RBS-Mellon Conference, Philadelphia, October 2017)

updated: 
Tuesday, August 23, 2016 - 5:03pm
Hansun Hsiung (Max Planck Institute for the History of Science), András Kiséry (The City College of New York), Yael Rice (Amherst College)
deadline for submissions: 
Tuesday, October 25, 2016

Call for Proposals

"Books as Agents of Contact"

Session Organizers: Hansun Hsiung (Max Planck Institute for the History of Science), András Kiséry (The City College of New York), Yael Rice (Amherst College)

Saturday, 14 October 2017, 8:30–10:00am

Bibliography Among the Disciplines Conference

12–15 October 2017, Philadelphia, PA

The book territorializes and deterritorializes. It binds together materials, technologies, and labor from far and abroad--a letter from Goa, an editor in Rome, Chinese paper, German engravers, Italian leather, English capital--only to be dispersed and reconstituted, from hand to hand, collection to collection, dismembered, reassembled, and reinvented for new audiences in new locations.

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