de genere journal / Small Islands? Transnational Solidarity in Contemporary Literature and Arts deadline for submissions: February 7, 2017 full name / name of organization: de genere Rivista di studi letterari, postcoloniali e di genere Journal of Literary, Postcolonial and Gender Studies contact email: degenere.journal@gmail.com 

Small Islands?Transnational Solidarity in Contemporary Literature and Arts

Editors for this issue: Rita Monticelli and Lorenzo Mari

*Note: Our text, Ideology and Identity in Young Adult Literature: Connections to the Composition Classroom, is under contract with McFarland Press, and we are looking for a few more contributors to round out our collection. Therefore, the turnaround time for the chapter will be relatively quick.

The original call is below. Please also note that we have a sufficient amount of literature analyzing dystopian texts, so please avoid that genre. Additionally, each chapter should have a Practical Considerations for the Classroom section in which contributors might discuss specific assignment descriptions and/or other practical applications.

Special Section on Soviet and Post-Soviet Shakespeares in The Shakespearean International Yearbook (2019)

We invite contributions for a special section on Soviet and post-Soviet engagements with Shakespearean drama and Shakespeare as a culturally significant figure. We are particularly interested in ideologically influenced performance, translation, literary adaptation, and scholarship. Papers might focus on how Soviet approaches to Shakespeare were influenced by the evolution of cultural policies from 1917 to 1991, or examine treatments of Shakespeare in post-Soviet states from 1991 until the present. Contributors are also encouraged to consider Soviet and post-Soviet Shakespeare in languages other than Russian.

DEFIANCE: An Interdisciplinary Graduate Conference

**DEADLINE EXTENDED: May 8, 2017**

Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality. […] We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.

 Northeast Historic Film Summer Symposium

July 27-29, 2017

Bucksport, Maine, USA

Regional Film and Audiovisual Collections and Archives in the 21st Century

The UK’s decision to leave the European Union constitutes the most momentous separation of British-European political culture since the Protestant Reformation.  As scholarly and public interest in ideas of British political identity continues to sharpen, this conference explores themes of division and devolution in drama written at the dawn of the British Empire.  Looking to Britain’s uncertain future by learning about its past can tell us much about how literature responds to drastic political change, not least in terms of the territories (real and imagined) with which it is invested. Recent events across the Atlantic also point to the complex dis/unities of political leadership, religion, and physical spaces.