August Wilson was a man of vision. While Wilson was committed to portraying the “richness and resilience of the twentieth-century black American life through the medium of drama,” he also set the stage for all Americans to examine their purpose and place in society. In addition to his stage portrayals, Wilson also presented his theories in his lectures such as, “The Ground on which I Stand,” where he identified himself as a “race man.” This focus brings up the question: How are his views on family matters presented in his lectures compared to those depicted in his plays?
[sic] – a journal of literature, culture and literary translation
University of Zadar
Obala kralja Petra Krešimira IV. br 2
Call for Papers
(Open, Non-Thematic Issue)
deadline extended until September 20!
[sic] – a journal of literature, culture and literary translation invites submissions for the upcoming 15th issue. We accept:
- original research papers: 5,000 to 7,000 words
- reviews: up to 2,000 words
- translations of literary texts: 5,000 to 7,000 words
New Directions in Black Western Studies
Western History Association Conference
Hilton San Diego Resort & Spa, San Diego, California
01-04 November 2017
We are seeking proposals for the 57th Western History Association Conference workshop and American Studies Special Issue: “New Directions in Black Western Studies.”
Since the plays of Sean O'Casey are ripe for analysis beyond historical/new historical readings that examine them in light of Irish nationalism, I am seeking abstracts for a possible panel on O'Casey for the Louisville Conference on Literature and Culture since 1900 (http://www.thelouisvilleconference.com/) on February 22-24, 2018. O'Casey's work, both that which focuses on the years just before and after Irish independence and that written during his years in England, offers varied resources for scholarship from the perspectives of colonialism/postcolonialism, Marxist theory, and gender analysis.
Hyperreal Hillbillies and Geeks: Exploring Contemporary Cultural Identities (Roundtable) (ID # 16833)
The 49th Annual Northeast MLA (NeMLA) Convention, April 12-15, 2018 Pittsburgh, PA
WSQ, Call for Papers: Special Issue
Elena L. Cohen, Graduate Center CUNY
Melissa M. Forbis, Stony Brook University SUNY
Deepti Misri, University of Colorado, Boulder
Saadia Toor, College of Staten Island CUNY
One way of telling the story of feminism is to tell it as a story of protest: protest against, protest for, protest within. In this issue, we invite contributors to reflect on the histories, presents, and futures of protest through a feminist lens.
Appel à communications
« Quand l’industrie du cinéma enquête sur ses publics »
(2ème journée d’étude du GREPs)
Jeudi 16 novembre 2017, Université Paris Diderot-Paris 7
Call for Papers Platform: Journal of Theatre and Performing Arts 11.2 Theatre and the Kitchen Food and gastronomy saturate contemporary cultural spheres. From social media’s ‘food porn’, reality television and culinary pop-ups to concept-restaurants and the internationalisation of local cuisines. Arguably, menus have recently become a privileged medium for cultural transfer and appropriation, but food has long been both the signifier and transmitter of emotion, identity, ideology, belonging and wealth.
A European Conference for the Humanities
Equip & Engage: Research and Dissemination Infrastructures for the Humanities
Leuven, 4-6 April 2018
In April 2018, the Faculty of Arts of KU Leuven and the KU Leuven Libraries are hosting a European Conference for the Humanities on behalf of the European Consortium of Humanities Institutes and Centres (ECHIC, http://www.echic.org/).