Keynote Update: Simon Stephens at the Comparative Drama Conference, April 5-7, 2017
42nd Comparative Drama ConferenceText & PresentationCall for PapersApril 5-7, 2018Orlando, Florida 2018 Keynote Event
April 6, 2017 8 p.m. (followed by a reception)
A Conversation with Simon Stephens
Simon Stephens's early work at the Royal Court includes BLUEBIRD (1998); HERONS (2001), COUNTRY MUSIC (2004) and MOTORTOWN (2006). In 2008 his play HARPER REGAN opened at the National Theatre, and SEA WALL, starring Andrew Scott, played at the Bush. Simon then had success with his plays PORNOGRAPHY (Deutsches Schauspielhaus, Hanover, 2007 and Edinburgh Festival / Birmingham Rep, 2008 and Tricycle Theatre, 2009) and PUNK ROCK (Lyric Hammersmith / Manchester Royal Exchange, 2009) which won the 2009 Manchester Evening News Award for Best Production. In 2011, I AM THE WIND, an adaptation from Jon Fosse’s original, opened at the Young Vic. 2012 saw THREE KINGDOMS performed in London, Tallinn and Munich, MORNING at the Lyric Theatre, and a new version of Ibsen’s A DOLL’S HOUSE at the Young Vic which subsequently transferred to the Duke of York’s Theatre in 2013.
His adaption of Mark Haddon’s novel THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME won the Oliver and Tony Awards for Best New Play (National Theatre, 2012; Apollo Theatre, 2013; Gielgud, 2014 – present; Barrymore Theatre in Broadway, 2015). In 2014 Simon premiered CARMEN DISRUPTION at Deutsches Schauspielhaus in Hamburg, which transferred to the Almeida Theatre in London in 2015, and BIRDLAND at the Royal Court. His adaptation of Chekhov’s THE CHERRY ORCHARD also opened at the Young Vic in 2014. In 2015, HEISENBERG opened at MTC in New York and transferred to the Friedman in 2016; THE FUNFAIR, Simon’s new version of Ödön von Horváth’s KASIMIR AND KAROLINE, opened at Home Theatre in Manchester; and SONG FROM FAR AWAY, directed by award-winning Belgian director Ivo van Hove, received its UK premiere at the Young Vic. His version of Brecht and Weill’s THE THREEPENNY OPERA opened at the National in May 2016. 2017 has seen the openings of NUCLEAR WAR at the Royal Court, his English language version of OBSESSION at the Barbican, FATHERLAND at the Royal Exchange for the Manchester International Festival, and his new adaptation of THE SEAGULL comes to the Lyric Hammersmith later in 2017.
Simon is Artistic Associate at the Lyric Theatre and Associate Playwright at the Royal Court. He was also on the board for Paines Plough between 2009 and 2014, and was a Writers’ Tutor for the Young Writers’ Programme at the Royal Court between 2001 and 2005.
Abstract Submission Deadline: 3 December 2017
Papers reporting on original investigations and critical analysis of research and developments in the field of drama and theatre are invited for the 42nd Comparative Drama Conference, hosted by Rollins College in Orlando, Florida, to be held April 5-7, 2018 . Papers may be comparative across nationalities, periods and disciplines; and may deal with any issue in dramatic literature, criticism, theory, and performance, or any method of historiography, translation, or production. Papers should be 15 minutes in length, written for oral presentation, and accessible to a multi-disciplinary audience. Scholars and artists in all languages and literatures are invited to email a 250 word abstract in English to Dr. William C. Boles at firstname.lastname@example.org by 3 December 2017. Please include paper title, author’s name, status (faculty, graduate student, other/scholar-at-large), institutional affiliation, and postal address at top left. Abstracts must present a clear argument and have an appropriate scope (usually two or fewer works). (PLEASE be sure to add email@example.com to your accepted email list so that conference emails will not be rejected by your server. Ask your IT administrator how to do so.) If you do not receive e-mail confirmation that we received your abstract/submission within 14 days, we did not receive your submission. Please contact us immediately at firstname.lastname@example.org. Those whose abstracts are accepted for presentation are expected to attend the conference. Due to the number of submissions, the adjudicators are unable to offer specific feedback on panels, abstracts, or scripts. Abstracts will be printed in the conference program. Accepted presentations will be scheduled in a room with a projector, screen, and speakers. If you wish to use a laptop, please bring your own as well as a dongle. We do not provide remote control devices.
Pre-organized Panels and Roundtables will also be considered. A pre-organized panel should include three papers. Each paper should be 15 minutes in length. Panel proposals should include (1) a copy of each panelist’s 250 word abstract with paper title, author’s name, institutional affiliation, status, postal address and email address at top left, and (2) a succinct, 50-word rationale for the grouping of the papers. The panel organizer should email the abstracts and rationale to email@example.com by 3 December 2017. A pre-organized roundtable should include at least four participants. Roundtable proposals should include (1) a succinct, 50 word explanation of and rationale for the roundtable topic, (2) a timeline of the program, including time for audience interaction and Q & A, and (3) clear evidence of each participant's expertise in the topic area. Do not send entire vitae. Include only evidence applicable to the roundtable topic. The panel or roundtable organizer should email the abstracts and rationale to firstname.lastname@example.org by 3 December 2017.
If you would like to advertise a pre-organized panel on the CDC website, please send the panel title, organizer contact information, deadline, and description to email@example.com immediately.
To see the call for pre-organized panels, visit our Pre-organized Panels page.
The conference board invites proposals for staged readings of new plays. Two full-length (one-act or more) new plays will receive staged readings during the course of the conference. Each staged reading will be followed by a talkback with the audience led by a dramaturg. This year, we will have two slots for a 90 minute staged reading. If you would prefer to have your play staged by a director and/or with a cast of your own choosing, please include their information as part of the proposal; otherwise, a director and actors may be assigned by the Conference Director in coordination with the Resident Dramaturg and a director from the Comparative Drama Conference. Those proposing a staged reading should submit the play’s title, character list, a 200 word summary of the play, a 100 word rationale for staging a reading of the play at this conference, and an exemplary scene or act in Word Document form to firstname.lastname@example.org by 3 December 2017.
Submitters and non-submitters of abstracts who are interested in chairing a session at the conference are invited to send a two-paragraph resume highlighting their areas of expertise to email@example.com by 3 December 2017.
Submitters of abstracts will be notified by email on or before 30 January 2018 as to the board’s decision regarding their abstracts. Those submitters whose proposed papers are accepted for presentation will be asked to prepare full papers, suitable for 15-minute readings, for delivery at the conference. Those whose papers are accepted are expected to attend the conference. Presenters are required to pre-register.
The 2018 pre-registration fees (through March 6, 2018) are as follows:
1. Presenter, Reader or Presenter Session Chair: $125 for faculty members, $100 for graduate students
2. Non-presenter Session Chair: $80
3. Guest: $70
4. Student Guest: $40
5. One day guest passes: $30 for non-students ($20 for students)
The pre-registration fee for categories 1–4 covers all conference events and services including a copy of the conference Programs and Abstracts book, a copy of the current edition of Text and Presentation, admission to all conference events, and admission to the conference reception.
For those who wish to register after March 6, 2018 or at the conference, the fees increase to $145 (faculty)/$110 (grad student), $90 (Non-presenter Session chair), $80 (guest), and $50 (Student guest) respectively. Submitters of abstracts are also advised to apply for travel funds from their home institutions as early as possible.
Please circulate this announcement to other interested parties.
Contact us at firstname.lastname@example.org for more information.