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ORIENTATIONS: A CONFERENCE OF NARRATIVE AND PLACE

updated: 
Thursday, November 23, 2017 - 9:47pm
University of Nottingham
deadline for submissions: 
Sunday, February 18, 2018

We are excited to announce the CfP for Orientations: A Conference of Narrative and Place, to be held on the 30th and 31st of May 2018 at the University of Nottingham. Orientations is an interdisciplinary, international conference exploring the relationship between narrative, space, and place.

We are further delighted to announce that our first keynote will be delivered by Fiona Mozley, writer of the Booker Prize nominated novel Elmet (2017). Details regarding our second keynote will be released soon.

**[UPDATED DEADLINE]** EDITED VOLUME, CINEMA LIBERATION THEOLOGY

updated: 
Thursday, March 15, 2018 - 5:49pm
Anthony Ballas / University of Colorado at Denver
deadline for submissions: 
Sunday, April 15, 2018

Edited Volume, Cinema Liberation Theology

 

I am looking for 7-10 additional 4,000-5,000 word chapters on cinema and liberation theology for an edited collection which a major academic publisher is interested in.

This collection focuses on liberation narratives which are in some way related to or inspired by religious traditions/literatures/practices/discourses from around the world. The films and analyses need not be explicitly religious in content, but need only to be argued in the context of liberation with theology, spirituality, or divinity functioning as a loose guide.

1993-2018: Twenty-Five Years of Vertigo Comics

updated: 
Thursday, November 23, 2017 - 9:50pm
Université Bourgogne Franche-Comté, Dijon, FRANCE
deadline for submissions: 
Sunday, April 8, 2018

The Vertigo imprint was born in 1993 under the guidance of DC editor Karen Berger; it initially brought together six ongoing series published by DC Comics, notably Swamp Thing, Doom Patrol and Sandman.

Film as Film Today: On the Criticism and Theory of V. F. Perkins

updated: 
Friday, November 24, 2017 - 4:03am
University of Warwick
deadline for submissions: 
Friday, March 16, 2018

V. F. Perkins (1936-2016) was a foundational figure in the history of British film education, a pioneering theorist of the medium, and among the most insightful and eloquent writers on the art of film. His historical significance for the fields of film criticism and film study is uncontested. However, while Perkins’ work – particularly the seminal Film as Film (1972) – still influences certain strands of scholarship, its contemporary relevance for critics, theorists, and students is presently underappreciated. This symposium is dedicated to revaluating Perkins’ critical methods and arguments by exploring their continued utility for those studying film, television, audiovisual media, and aesthetics today.

Poetry in Motion: Spoken Word Poetry and What It Means Today

updated: 
Thursday, November 23, 2017 - 9:50pm
Paul McNamara
deadline for submissions: 
Wednesday, January 31, 2018

Poetry in Motion: Spoken Word Poetry and What It Means Today

 

Conference Organiser:         Paul McNamara

 

Contact Email:                      Paul.McNamara@mic.ul.ie

 

Title:                                     Poetry in Motion: Spoken Word Poetry and What It Means

                                             Today

 

Conference Location:           Mary Immaculate College, Limerick, Ireland

 

Date of Conference:             26th of April 2018

 

#PoetryInMotion18

Pacific Review Special Issue: States of La Frontera

updated: 
Thursday, November 23, 2017 - 9:50pm
Pacific Review @ SDSU
deadline for submissions: 
Friday, February 2, 2018

pacificREVIEW is currently hosting an open call for submissions for our 2018 edition, “States of La Frontera” – an interdisciplinary, intersectional collection of work that grapples with the concept and image of “borders” as existing in multiple contexts. “States of La Frontera” refers to the literal and figurative borderlands of space and identity: the physical, geographical, emotional, spiritual, and temporal boundaries and possibilities of being. We are interested in works that embrace and complicate life at the intersection – works that resist hegemony, generalization, and singularity.