/01
/03

displaying 1 - 9 of 9

Virginia Woolf and spirituality: essay collection

updated: 
Sunday, January 7, 2018 - 4:00pm
Kristina K. Groover
deadline for submissions: 
Thursday, March 1, 2018

Abstracts are invited for a proposed collection of essays on Virginia Woolf and spirituality.

American Studies Association 2018 CFP - Identity Politics

updated: 
Sunday, January 7, 2018 - 4:00pm
Eli Erlick - University of California, Santa Cruz
deadline for submissions: 
Sunday, January 21, 2018

Call for Panelists

2018 Annual Meeting of the American Studies Association – “States of Emergence”

Panel: Identity Politics

 

Surviving Academe: Equity and Persistence for Students and Faculty

updated: 
Sunday, January 7, 2018 - 4:00pm
Academic Labor: Research and Artistry (ALRA) Journal
deadline for submissions: 
Sunday, April 15, 2018

We hope you enjoyed Volume 1, Issue 1 of Academic Labor: Research and Artistry (ALRA), a peer-reviewed open access academic journal launched in 2016 by the Center for the Study of Academic Labor (CSAL) at Colorado State University. The journal encourages ongoing research on matters relating to tenure and contingency in the academy, both nationally and internationally. Along with our center and web site, we offer a research home for those undertaking scholarship in areas broadly defined as tenure studies and contingency studies.

Console-ing Passions Feminist and Media Studies Conference

updated: 
Friday, January 19, 2018 - 10:13am
Christopher Pullen / Bournemouth University
deadline for submissions: 
Friday, January 26, 2018

CALL FOR PROPOSALS: CONSOLE-ING PASSIONS International Conference on Television, Video, Audio, New Media, and Feminism July 11-13, 2018 Bournemouth University,Faculty of Media and Communication,Poole, UK Bournemouth University is now accepting proposals for Console-ing Passions 2018.New Deadline for submissions: 23.59 (Greenwich mean time) 26 January 2018. Please use the submission template found on the 

UPDATE Women and New Hollywood

updated: 
Sunday, January 7, 2018 - 4:10pm
Maynooth University/Irish Research Council
deadline for submissions: 
Friday, January 12, 2018

UPDATE: Due to end of term and the holidays, a few scholars requested a bit more time to submit abstracts have extended the deadline for paper/panel proposals to 12th January. 

 

Call for Papers: Women and New Hollywood

Maynooth University, Ireland

29-30 May 2018

Keynote speakers: Amelie Hastie (Amherst College) and Julie Turnock (University of Illinois)  

Black History Month Interdisciplinary Conference

updated: 
Sunday, January 7, 2018 - 3:59pm
Langston University- Black History Month Committee
deadline for submissions: 
Wednesday, January 31, 2018

Reclaiming My Roots Conference

 

This interdisciplinary conference seeks abstracts that deal with the theme of reclamation. How have African Americans, Black Americans, Caribbean Americans or Diasporic Peoples attempted to reclaim aspects of identity, community, and nationhood? How have social movements such as BLM, Feminism, Womanism, and literary movements such as Afrofuturism advanced reclamation narratives or reclamation motifs.

 

Abstracts  are welcome that deal with the following areas:

-Black Literature, Digital Humanities, and How Technology reclaims a “Black” space

-History, Herstory, and Feminist Narratives

-Public Policy and Reclamation

Why Kathy Acker Now? (American Literature Association, San Francisco, May 24-27, 2018)

updated: 
Tuesday, January 23, 2018 - 11:21pm
American Literature Association
deadline for submissions: 
Sunday, January 28, 2018

With the recent publication of the first biography of Kathy Acker by Chris Kraus, an anniversary edition of Blood and Guts in High School, a short volume of correspondence, and at least two scholarly monographs, there would appear to be a critical revival of Kathy Acker in the making.  But with the “death” of postmodernism and its waning influence on recent studies of literary history, does Acker’s work—often considered a quintessential example of experimental pomo—still demand to be read?  If so, why?  How does Acker’s work move beyond its “postmodernism” and matter for readers today?  Papers considering these questions, as well as those exploring the recent Acker revival and/or influence on the San Francisco literary scene are welcome.  Abstrac