Perspectives on Music Production: Gender in Music Production

deadline for submissions: 
June 22, 2018
full name / name of organization: 
Dr Liesl King/York St John University
contact email: 

Perspectives on Music Production: Gender in Music Production

 

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Call for Contributions

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Deadline for proposals extended until  22nd June 2018

The music production industry has, for many years, been viewed as male dominated. Despite many examples of diversification and acknowledgement of the issues (such as the Audio Engineering Society’s ‘He For She’ campaign), gender representation within music production is considered limited. The editors welcome abstracts for chapters in a forthcoming Routledge edited volume entitled Gender in Music Production. The scope for contributions are listed below.

  • Gender within the production workplace: gender bias and/or gender stereotyping in the production workplace?

  • Gendered modalities of production

  • Gender and intersectionality (with race/class/sexual identity/ability) within the production workplace and music production

  • Record production and the performance of gender

  • Case Studies & Interviews. Discussions of, or with, individual figures who have views on the above and are willing to give interviews (release forms will need to be signed)

  • Reflections exploring to what extent experiences (anecdotes) represent/speak to both genders and to non-binary individuals.

    Please submit an abstract of 500-750 words to genderinmp@hepworthhodgson.com by 9th April 2018.

    Should you have any questions, please email the address above.

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    Dates and Deadlines

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    Submission of abstracts for consideration: 22nd June 2018

    Authors notified if abstract accepted or rejected:  6th July 2018

    Chapters to be submitted in full (included release forms): 12th May 2019

     

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    About the Perspectives On Music Production Series

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    Perspectives On Music Production (POMP) is a series of edited and monograph volumes reflecting a multitude of disciplines, practices and ideas under the contemporary term ‘music production’ Other edited volumes include Mixing Music and the soon to be released Producing Music. Monographs calls can be found at www.hepworthhodgson.com

     

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    Volume Editors

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  • Dr Liesl King, York St John University, UK

  • Dr Jay Hodgson, Western University, Canada

  • Dr Mark Marrington, York St John University, UK

  • Russ Hepworth-Sawyer, York St John University, UK

 

 

 

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Series Editors

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  • Dr Jay Hodgson, Western University, Canada

  • Dr Mark Marrington, York St John University, UK

  • Russ Hepworth-Sawyer, York St John University, UK

 

 

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