The ongoing comparison of the current administration to the Nixon administration calls for a reexamination of the scandal that brought down the latter. Befitting NeMLA’s conference location, this panel seeks to reexamine classic and contemporary depictions of Watergate in order to illuminate the scandal’s connections between literature, film and American politics and culture from the seventies to the present. Accordingly, this panel seeks readings of Watergate, past and present, as depicted in film, literature and culture. Readings can also reexamine Watergate as a moment in American cultural memory and its contemporary ramifications.
On the Western’s frontier, citizens and sociopaths abound—lawmen and outlaws, gamblers and gunmen, cavalry wives and soiled doves, the Indian chiefs and buffalo scouts. How do these figures—materially or metaphorically—shape the creation, delivery and reception of the American West in film? The "good" citizen in a Western may seem easy to define, but when do some portrayals of citizenship succeed, inspiring audiences, while others backfire? When might the actions of sociopaths be laudable?
Through her short career, Shirley Jackson wrote about about haunted houses, dysfunctional families, wayward children, attempts at maintaining a sane work-life balance, as well as restricted, doomed women in a period when Americans were constantly reminded of their civic duties to manage and maintain clean, comfortable, ‘normal’ domestic spaces. But as evidenced by letters from her fans, Shirley Jackson’s approach to domesticity opened up the possibility for something different, something more for women who felt trapped by their home lives.
Chapters are solicited for inclusion in an edited volume titled Activism in the Name of God: Religion and Black Feminist Public Intellectuals from the Nineteenth Century to the Present.
Please send inquiries to Jami.Carlacio@yale.edu before submitting a proposal
Call for Chapter Submissions: Making Stars: Biography and Eighteenth-Century Celebrity
Call for Papers–2019 Conference 43rd Comparative Drama ConferenceText & PresentationApril 4-6, 2019Orlando, Florida
2019 Keynote Event
April 5, 2019 8 p.m. (followed by a reception)
Keynote Q&A: TBA
Abstract Submission Deadline: 3 November 2018
Please note the change in the deadline. It has been moved up a month to allow scholars more time to apply for travel funds.If you are an international scholar and need even more time to apply for funds, please send us your abstract when ready and we will turn around a decision within two weeks.
From #BlackLivesMatter and #TakeAKnee to #WhyIStayed and #MeToo, hashtag activism campaigns have continued to proliferate in recent years. Whether connected to specific in-person protests (#MarchForOurLives; #MarchForScience; #WomensMarch), consumer boycotts (#DeleteUber; #NotBuyingIt), social commentary (#OscarsSoWhite), fundraising (#IceBucketChallenge), humanitarian efforts (#BringBackOurGirls), or social justice campaigns (#OwnVoices), Twitter has become a vital tool for activism and social commentary. Unsurprisingly, academic studies of hashtag activism campaigns have likewise been on the rise as scholars grapple with the benefits and consequences of digital activism.
LITERACIES ACROSS MODALITIES
Popular Culture and Film
The Gothic Association of New Zealand and Australia (GANZA) welcomes papers for its fourth biennial conference, to be held at the Mantra on View Hotel in Surfers Paradise, Australia, on 22-23 January 2019.
GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.
ReFocus: The Films of João Pedro Rodrigues & João Rui Guerra da Mata
With a career that spans over twenty years, João Pedro Rodrigues and João Rui Guerra da Mata are one of the most creative duos in contemporary filmmaking working within the context of Portuguese cinema. Acknowledged by several film festivals (Cannes, Indie Lisboa, Locarno, New York) as major Portuguese directors, and by the Harvard Film Archive as creators whose works “reflect the multifarious history of film, from classic genres to experimental film”, both filmmakers have contributed to the growing interest in Portuguese cinema.
Terror On Tour 2018:
Anthroposcreams, Desert(ed) Destinations & Wilding Weather...Wish You Were Here
Nov. 8, 9, 10, 2018
HEAD-Genève/Geneva School of Art and Design
Confirmed keynote speakers:
Lorenzo Chiesa (GSH – Genoa School of Humanities)
Federico Luisetti (University of St. Gallen)
Michael Marder (University of the Basque Country, Vitoria-Gasteiz)
Journal Messengers from the Stars:
On Science Fiction and Fantasy
No. 4, 2019
Edited by: Danièle André & Christopher Becker
Co-edited by: Angélica Varandas & José Duarte
Messengers from the Stars is an international, peer-reviewed journal, offering academic articles, reviews, and providing an outlet for a wide range of creative work inspired by science fiction and fantasy. The 2019 issue will be dedicated to the theme