The Theory and Practice of Contemporary Theatre
The Theory and Practice of Contemporary Theatre
SUBMISSION DEADLINE: AUGUST 25, 2018.
We invite presentation proposals for The Fifties and Pop/Visual Culture: Film, Television and Beyond Conference, to be held at Texas Christian University (Fort Worth, Texas) November 9-10, 2018.
The conference organizers are seeking historically and theoretically intriguing contributions that explore any noteworthy aspect(s) of popular and/or visual culture during the 1950s, whether in the United States or elsewhere, in relation to cinematic, televisual, and other types of media offerings.
This panel will take place as a part of the American Comparative Literature Association’s 2019 Annual Meeting at Georgetown University in Washington, DC, March 7th-10th, 2019.
The International Arab Journal of English for Specific Purposes (IAJESP) welcomes the submission of papers for November issue, 2018. The deadline for article submission is 20 October, 2018.The International Arab Journal of English for Specific Purposes is a peer-reviewed journal that welcomes high-quality research papers from across the world. The purpose of this journal is to further the progress of English for Specific Purposes by reporting new research and promoting its growing importance and benefits. The journal covers all areas of English for Specific Purposes such as the following:
In a recent interview, philosopher Christopher Preston (Montana) notes that we are presently at a crux wherein we are in danger of losing contact with what he refers to as “the world outside of us, the world outside our control” (“Reengineering Our World: A Cautionary Tale,” Vision.org). At first blush, Preston is a thinker out of time with this sentiment--the kind of loss he refers to has more in common with the “back to the land” ethos of what is often called second wave environmentalism than it does with current analyses in the environmental humanities, many of which argue that the present intuition of the fading of the “world outside of us” is little more than an ideological distortion.
We are currently seeking paper proposals for a creative writing pedagogy panel accepted for the Northeast Modern Language Association annual meeting in Washington, D.C., from March 21-24, 2019.
In his influential book Disability Aesthetics, Tobin Siebers makes two interventions. The first is to argue that modern aesthetics has long relied on disability as one of its defining features, even while neglecting to acknowledge this dependence explicitly. The second is to advocate on behalf of a deliberate praxis of disability aesthetics, which “embraces beauty that seems by traditional standards to be broken,” yet shows it to be “not less beautiful, but more so, as a result.” Ask literary scholars who work in the nineteenth century to think of a poet who best exemplifies Siebers’s argument, and few would be likely to name Walt Whitman.
This session takes the image of the “palimpsest” as its semantic inspiration to problematize the layerings of power that simultaneously obscure, erase, and recode the experiences of postcolonial queer bodies. As Judith Butler demonstrates in her engagement with Levinasian ethics, the structure of address between the “I” and the Other is an interruption of narratives that behooves the I’s need to be recognized by an interlocutor.
The 2019 Backreading Hong Kong Symposium, co-organised by the Department of English at Hong Kong Baptist University and the literary journal Cha: An Asian Literary Journal, will take place on Saturday 19 January 2019.
The theme of the symposium is “Hong Kong Dystopia”. We are interested in papers that explore this theme from a wide range of perspectives and disciplines, including but not limited to: anthropology, economics, geopolitics, history, language, law, literature, philosophy, politics, religion and sociology. Papers that challenge existing notions of dystopia and its application to Hong Kong are very welcome.
Saturday 9th March 2019 - Sunday 10th March 2019
Prague, Czech Republic
Decency is still important for the way we live, both in public life and in the private sphere. Yet as we push into the 21st Century, ‘decency’ increasingly appears to be coming under pressure across numerous fronts and on many diverse levels.
The 50th NeMLA Anniversary Convention
Gaylord National Resort Center
March 21-24, 2019
Transnational Spaces: Intersections of Cultures, Languages, and Peoples
Transnational Deafnicity? The Liminality of Deaf People in Literature
Language, Literature, and Interdisciplinary Studies (LLIDS), an open access academic e-journal, invites original and unpublished research papers and book reviews from various interrelated disciplines including, but not limited to, literature, philosophy, psychology, anthropology, history, sociology, law, ecology, environmental science, and economics.
Second half of twentieth century sees literary criticism interpreting the role of history, itself subject to interpretations bearing upon the kind of notion one has of history, as one of the dominant modes of creating ‘literature’ along with the persona of the artist. Oscar Wilde says that, “an artist is not an isolated fact, he is the resultant of a certain milieu and a certain entourage” – an assessment which is foregrounded in rise of the intellectual movements of Historicism, New Historicism, and Cultural Materialism during late 1970s USA and early 1980s Britain.
Jeffers’s Inevitable Place
2019 Robinson Jeffers Association Annual MeetingFebruary 15-17, 2019
Carmel Woman’s Club, Carmel, CA