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CRITICAL THINKING IN TOURISM STUDIES

updated: 
Thursday, December 20, 2018 - 10:11am
Tourism, Culture and Communication
deadline for submissions: 
Friday, March 15, 2019

Call for PapersTourism, Culture and Communication

Special Issue:

CRITICAL THINKING IN TOURISM STUDIES

 

[Guest Editors: Rodanthi Tzanelli, University of Leeds, UK and Maximiliano Korstanje, University of Palermo, Argentina]

 

Proposals sections “Essays” and “Theory and practice of Translation” Ticontre, XII, 2019

updated: 
Thursday, December 13, 2018 - 9:48am
Ticontre. Teoria Testo Traduzione
deadline for submissions: 
Thursday, February 28, 2019

«Ticontre» focuses on Literary Criticism and Textual Analysis, History of Literature, Literary Theory, Comparative Literature, and Translation Studies. All manuscripts will undergo a double-blind peer-review process. Since its foundation in 2014, «Ticontre» is regularly published twice a year, with a total of ten issues and 165 papers. In the last four years, pdf articles were downloaded more than 65,000 times. Up to thirty per cent of them are written in a language other than Italian and authors belong to over seventy different universities, half of which abroad.

Grandiloquence And Desperation. Discourses About The Performing Arts In The 21st Century

updated: 
Thursday, December 13, 2018 - 9:48am
Studia Universitatis Babeș-Bolyai / Dramatica
deadline for submissions: 
Friday, March 15, 2019

From the Nāṭyaśāstra or Aristotle’s Poetics to social media posts or the new online review aggregators, discourses about theater have shaped the course of the art’s evolution, reflecting and influencing aesthetics, modes of production and models of social and political involvement.

The emergence and spread of “practice as”, “practice-led” or “practice-based” research paradigms, the growing interest for the performative function of arts archives, the fluidization and democratization of critical discourses, as well as the ripple effect of the performative turn define, nowadays, a climate in which theory and practice intermingle, seemingly re-bridging the gap between artists and scholars, between creators, historians and critics.