/12

displaying 46 - 60 of 150

Performativity in Contemporary Culture (Conference)

updated: 
Friday, February 1, 2019 - 3:49pm
Narratives of Culture and Identity Research Group, Eötvös Loránd University, Budapest, Hungary
deadline for submissions: 
Friday, February 15, 2019

EXTENDED DEADLINE: YOU CAN SEND YOUR ABSTRACTS UNTIL 15 FEBRUARY!

 

CALL FOR PAPERS

 

The Narratives of Culture and Identity Research Group

invites you to participate in its conference

 

Performativity in Contemporary Culture

on May 24-25, 2019

 

at the School of English and American Studies, ELTE, Budapest

 

Biopolitics: In Many Ways

updated: 
Thursday, December 20, 2018 - 10:26am
York University
deadline for submissions: 
Friday, January 18, 2019

+++++ Please distribute widely to graduate students who would be interested in our conference +++++ Call for PapersInterdisciplinary Graduate StudentConference on Biopolitics

 

Ryerson UniversityToronto, CanadaFebruary 17, 2019

 

Jointly hosted by:

 

  • Ryerson and York University Joint Graduate Program Communication & Culture
  • Cultural Analysis and Social Theory MA Program, Wilfrid Laurier University
  • Technē: Wilfrid Laurier University Biopolitical Research Group 

◦ ◦ ◦

 

BIOPOLITICS: IN MANY WAYS

 

CFP: Ukrainian Poetic Cinema

updated: 
Thursday, December 20, 2018 - 10:25am
East European Film Bulletin
deadline for submissions: 
Friday, February 15, 2019

East European Film Bulletin
Call for Papers

Poetic Cinema in Ukraine and Beyond: History, Memory and Legacy

Proposals: 15th of February 2019
Papers due: 15th of June 2019

“Philosophy and Aesthetics of Sexuality in Japan” The Polish Journal of Aesthetics No. 55 (4/2019)

updated: 
Friday, June 28, 2019 - 4:07am
The Polish Journal of Aesthetics
deadline for submissions: 
Sunday, July 21, 2019

CALL FOR PAPERS - DEADLINE EXTENTION!!!

“Philosophy and Aesthetics of Sexuality in Japan”

The Polish Journal of Aesthetics No. 55 (4/2019)

Editors:

Timon Screech (SOAS, University of London, United Kingdom)

Gabriela Matusiak (Jagiellonian University, Poland)

NEW Submission deadline: July 21, 2019

Romantic Elements

updated: 
Friday, January 18, 2019 - 11:57am
North American Society for the Study of Romanticism (Chicago)
deadline for submissions: 
Friday, January 25, 2019

 DEADLINE EXTENDED (Jan 25)

CALL FOR PROPOSALS:

 “Romantic Elements”

NASSR 2019 

CfP “German Comics and Graphic Novels” (GSA 2019)

updated: 
Thursday, December 20, 2018 - 10:14am
German Studies Association
deadline for submissions: 
Tuesday, January 15, 2019

German Comics and Graphic Novels III: Periphery

 

German Studies Association 2019

3-6 October

Portland, OR

 

On Ends and Endings (extended deadline)

updated: 
Thursday, May 2, 2019 - 10:03am
SAMLA - Nov 8-10 2019
deadline for submissions: 
Saturday, May 25, 2019

This is a proposed panel for SAMLA 91 (Languages: Power, Identity, Relationships) in Atlanta, GA, Nov. 8-10, 2019.

Community Change Revisited

updated: 
Thursday, December 20, 2018 - 10:13am
Community Change
deadline for submissions: 
Friday, February 8, 2019

Issue Topic:

"Diversity and Inclusion in Intentional Communities"

updated: 
Thursday, December 20, 2018 - 10:12am
International Communal Studies Association
deadline for submissions: 
Friday, February 1, 2019

Call for Papers—EXTENDED DEADLINE FEB 1, 2019

for the Triennial Conference of the

International Communal Studies Association

Conference Dates: July 18-21, 2019

Conference Location: Camphill Communities near Hudson, NY, USA

Conference Theme: “Diversity and Inclusion in Intentional Communities”

 

CFP: Irish Journal of Gothic and Horror Studies Issue #18

updated: 
Thursday, December 20, 2018 - 10:12am
Irish Journal of Gothic and Horror Studies
deadline for submissions: 
Friday, March 1, 2019

The Irish Journal of Gothic and Horror Studies (ISSN 2009-0374) is a peer-reviewed, interdisciplinary, open-access, electronic publication dedicated to the study of gothic and horror literature, film, new media, and television.


We are currently seeking submissions of articles and reviews that deal with any aspect of gothic and horror studies, including (but not limited to) literature, film, television, theatre, art and architecture, music, and new media. Please note that we cannot include pictures or sound files with articles or reviews.

CFP: What is Technology? (2019)

updated: 
Tuesday, March 12, 2019 - 5:28pm
Janet Wasko / University of Oregon
deadline for submissions: 
Monday, January 21, 2019

DEADLINE EXTENDED TO JANUARY 21, 2019

WHAT IS TECHNOLOGY?

UNIVERSITY OF OREGON PORTLAND • APRIL 11–13, 2019
whatis.uoregon.edu

CRITICAL THINKING IN TOURISM STUDIES

updated: 
Thursday, December 20, 2018 - 10:11am
Tourism, Culture and Communication
deadline for submissions: 
Friday, March 15, 2019

Call for PapersTourism, Culture and Communication

Special Issue:

CRITICAL THINKING IN TOURISM STUDIES

 

[Guest Editors: Rodanthi Tzanelli, University of Leeds, UK and Maximiliano Korstanje, University of Palermo, Argentina]

 

Proposals sections “Essays” and “Theory and practice of Translation” Ticontre, XII, 2019

updated: 
Thursday, December 13, 2018 - 9:48am
Ticontre. Teoria Testo Traduzione
deadline for submissions: 
Thursday, February 28, 2019

«Ticontre» focuses on Literary Criticism and Textual Analysis, History of Literature, Literary Theory, Comparative Literature, and Translation Studies. All manuscripts will undergo a double-blind peer-review process. Since its foundation in 2014, «Ticontre» is regularly published twice a year, with a total of ten issues and 165 papers. In the last four years, pdf articles were downloaded more than 65,000 times. Up to thirty per cent of them are written in a language other than Italian and authors belong to over seventy different universities, half of which abroad.

Grandiloquence And Desperation. Discourses About The Performing Arts In The 21st Century

updated: 
Thursday, December 13, 2018 - 9:48am
Studia Universitatis Babeș-Bolyai / Dramatica
deadline for submissions: 
Friday, March 15, 2019

From the Nāṭyaśāstra or Aristotle’s Poetics to social media posts or the new online review aggregators, discourses about theater have shaped the course of the art’s evolution, reflecting and influencing aesthetics, modes of production and models of social and political involvement.

The emergence and spread of “practice as”, “practice-led” or “practice-based” research paradigms, the growing interest for the performative function of arts archives, the fluidization and democratization of critical discourses, as well as the ripple effect of the performative turn define, nowadays, a climate in which theory and practice intermingle, seemingly re-bridging the gap between artists and scholars, between creators, historians and critics.

Pages