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CFP for ASAP/10 Seminar: Global South Urbanism and Aesthetics

updated: 
Friday, April 27, 2018 - 12:39pm
Association for the Study of the Arts of the Present 10th Annual Conference
deadline for submissions: 
Saturday, May 5, 2018

Association for the Study of the Arts of the Present 10th Annual Conference, October 17-20, 2018, New OrleansConference website: http://asap10.tulane.edu/ CFP: SEMINAR ON GLOBAL SOUTH URBANISM AND AESTHETICS

LGBTQ Television Panel

updated: 
Friday, April 27, 2018 - 12:34pm
Mid-Atlantic Popular and American Culture Association
deadline for submissions: 
Saturday, June 30, 2018

Together, the Television area and the LGBTQ Studies area of the Mid-Atlantic Popular and American Culture Association seek proposals for a co-sponsored panel at the 2018 conference in Baltimore, Maryland

We invite papers that examine any aspect of the relationship between television and the LGBTQ community. Potential topics include but are not limited to:

 

*      Will & Grace, revivals

*      Pose, the Ryan Murphy empire

*      Riverdale, queerbaiting and youth culture

*      When We Rise, social movements on television

*      Queer Eye, makeover shows in the Trump era

Romanticism in the Age of World Wars

updated: 
Thursday, April 26, 2018 - 9:05am
KU Leuven, Faculteit Letteren
deadline for submissions: 
Tuesday, May 15, 2018

Romanticism in the Age of World Wars Extended deadline for submissions: May 15, 2018 full name / name of organization: Vivian Liska (University of Antwerp), Ortwin de Graef (KU Leuven), Tom Toremans (KU Leuven), Pieter Vermeulen (KU Leuven), and the doctoral students Ana Ashraf (KU Leuven), Laura Cernat (KU Leuven), and Kahn Faassen (KU Leuven). contact email: raww@kuleuven.be 

CFP “Romanticism in the Age of World Wars” (Leuven, 11-13 November 2018)

 

Confirmed Keynote Speakers:

Santanu Das (King’s College London)

Marc Redfield (Brown University)

Paul K. Saint-Amour (University of Pennsylvania)

 

Unidentifiable Literary Objects: A symposium

updated: 
Thursday, April 26, 2018 - 9:10am
Nottingham Trent University
deadline for submissions: 
Thursday, June 28, 2018

On 29 June 2018, the Critical Poetics Research Group at Nottingham Trent University will host a symposium on the ‘Unidentifiable Literary Object’. Speakers include: Clare Connors (University of East Anglia), Marie-Dominique Garnier (University of Paris VIII), Laurent Milesi (Shanghai Jiao Tong University), Nicholas Royle (University of Sussex), Judith Still (University of Nottingham), Sarah Wood (University of Kent). We hope that Hélène Cixous and Eric Prenowitz (University of Leeds) will also be able to join us via Skype.

Academic Freedom in Historical Perspective

updated: 
Thursday, April 26, 2018 - 9:09am
European Review of History / Revue européenne d’histoire
deadline for submissions: 
Tuesday, May 15, 2018

Academic Freedom in Historical Perspective

 

Twenty-Five Years of theEuropean Review of History /

Revue européenne d’histoire: An Anniversary Conference

 

Central European University, Budapest, 8-10 November 2018

 

Call for Papers

 

Reconciliation through Cross-Cultural Collaboration

updated: 
Thursday, April 26, 2018 - 9:05am
Universities Art Association of Canada/L'Association d'art des universites du Canada
deadline for submissions: 
Tuesday, May 1, 2018

Following milestone moments in Canadian history, namely the Truth and Reconciliation Commission, it has become imperative that all members of the nation should be implicated in processes of conciliation and reconciliation. This turn must include immigrants, migrants, and refugees who diaspored to Canada through colonial networks of their own, and whose presence has been largely overlooked in the “difficult binary” constructed between colonizer and the colonized in both historical and emergent discourses on decolonization. How might these postcolonial subjects enter into artistic or curatorial collaboration with Indigenous peoples of Canada that both acknowledge cultural diversity and their shared colonial beginnings?

AWP Conference Panel: Topic TBD

updated: 
Thursday, April 26, 2018 - 9:04am
Anna Faktorovich, PhD
deadline for submissions: 
Sunday, April 29, 2018

I would like to put together an Association of Writers and Writing Programs panel. I am unsure about the topic. The first panel I am putting together this year is for the 10th anniversary of my Anaphora Literary Press, a reading for some of the writers. I would like to put together a second panel with folks that I am not affiliated with, so anybody reading this post. The panel can be a reading, or a discussion on the profession, or a discussion on the writing craft. Maybe a panel of independent publishers to discuss the problems we face in this field. Maybe a panel of academics (I previously taught college English for over 4 years) to talk about teaching creative/writing.

"SUSTAINABLE WORLDS, DISPOSABLE LIVES."

updated: 
Thursday, April 26, 2018 - 9:02am
SAMLA
deadline for submissions: 
Friday, May 25, 2018

This panel welcomes submissions exploring the logics of disposability and/or sustainability. Suggested topics include, but are not limited to: ecological sustainability, theories of excess and expenditure, the materiality of bodies and how they may be said to matter (or not), wasted time and wasted space. We welcome literary or theoretical perspectives from environmental humanities, race studies, psychoanalysis, queer-theory, and necro- or bio-politics. Proposals addressing the conference theme are especially welcome. By May 25th, please submit an abstract of 250-300 words, a brief bio, and any A/V requests to Violeta Espigares, Emory University, at vruizes@emory.edu.

Studies in Comparative Literature and Intellectual History

updated: 
Thursday, April 26, 2018 - 9:01am
Academic Studies Press
deadline for submissions: 
Sunday, July 1, 2018

Academic Studies Press is pleased to announce a call for manuscript submissions for its new book series, Studies in Comparative Literature and Intellectual History, edited by Galin Tihanov (Queen Mary, University of London).

Difficult Women & the Common Good: Activism, Archives, Aesthetics

updated: 
Thursday, April 26, 2018 - 9:00am
Institute for Advanced Studies in the Humanities
deadline for submissions: 
Friday, May 18, 2018

On 29 June, IASH is hosting ‘Difficult Women & the Common Good: Activism, Archives, Aesthetics’, a one-day symposium that reflects on the ‘difficult woman’ in interdisciplinary perspective in order to highlight her importance as a political figure. The keynote speaker is Professor Akwugo Emejulu of the University of Warwick.

John Webster’s The Duchess of Malfi Reconsidered, 13-15 Dec 2018

updated: 
Thursday, April 26, 2018 - 9:00am
ENS Lyon & UCA, France
deadline for submissions: 
Tuesday, July 10, 2018

Confirmed Keynotes

  • Dympna Callaghan (Syracuse University)
  • Jane Kingsley-Smith (Roehampton University)
  • Michael Neill (University of Auckland)
  • Wendy Wall (Northwestern University)

John Webster’s The Duchess of Malfi Reconsidered, an International Conference under the aegis of the French Shakespeare Society, with the support of Labex COMOD

Reminder: Messengers from the Stars journal, n. 4 - 2019 issue

updated: 
Wednesday, April 25, 2018 - 9:30am
Messengers from the Stars
deadline for submissions: 
Friday, June 15, 2018

CFP

 

Journal Messengers from the Stars: 

On Science Fiction and Fantasy

No. 4, 2019

 

Edited by: Danièle André & Christopher Becker

 

Co-edited by: Angélica Varandas & José Duarte

 

Messengers from the Stars is an international, peer-reviewed journal, offering academic articles, reviews, and providing an outlet for a wide range of creative work inspired by science fiction and fantasy. The 2019 issue will be dedicated to the theme

 

Reminder: ReFocus: The Films of João Pedro Rodrigues & João Rui Guerra da Mata

updated: 
Wednesday, April 25, 2018 - 9:28am
José Duarte/Filipa Rosário - School of Arts and Humanities
deadline for submissions: 
Friday, June 15, 2018

ReFocus: The Films of João Pedro Rodrigues & João Rui Guerra da Mata

 

With a career that spans over twenty years, João Pedro Rodrigues and João Rui Guerra da Mata are one of the most creative duos in contemporary filmmaking working within the context of Portuguese cinema. Acknowledged by several film festivals (Cannes, Indie Lisboa, Locarno, New York) as major Portuguese directors, and by the Harvard Film Archive as creators whose works “reflect the multifarious history of film, from classic genres to experimental film”, both filmmakers have contributed to the growing interest in Portuguese cinema.

 

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