displaying 61 - 75 of 1909

Transnationalism in Cuban Literature

updated: 
Monday, August 13, 2018 - 3:04pm
NeMLA, March 21-24, 2019 in Washington DC
deadline for submissions: 
Sunday, September 30, 2018

As proposed by the celebration of the 50th anniversary of NeMLA, and following its general theme on transnational spaces, this panel seeks papers to explore the idea of transnationalism in Cuban Literature. It is open to the literary production inside or outside of the Island and through time. This panel proposes special attention to the evolving nature of displacement and to the concepts of immigration, assimilation, transnationalism, and/or post nationalism. Papers can be in Spanish or English. All abstracts must be uploaded by each presenter using their own user account.

Making History in Our Time: Gender and Contingency in the Professional Work Force (Panel)

updated: 
Monday, August 13, 2018 - 3:42pm
Margie Burns/Northeast MLA (NeMLA) Conference
deadline for submissions: 
Sunday, September 30, 2018

This session focuses on gender and contingency in the university work force and in the digital economy. Emphasis is on contingency in relation to women employed as adjuncts or other contingent faculty in universities, such as contract workers in the digital economy. This panel invites papers on approaches to deal with contingency and gender, including formal or structural models, reforms, and collective bargaining. The panel invites papers on efforts including localized or workplace-specific approaches and on related plans.

 

 

CfP for Panel on French-Language Theatre at NeMLA (March 2019, Washington, D.C.)

updated: 
Monday, August 13, 2018 - 3:44pm
Aurelie Chatton
deadline for submissions: 
Sunday, September 30, 2018

Dear Colleagues,

 

I would like to call to your attention this panel specifically on French-language theatre that will be held at NeMLA's 50th Anniversary Convention in Washington, D.C. next spring (March 21-24, 2019). The call for papers is copied below. Abstracts may be submitted in English or French through NeMLA's online portal until September 30, 2018.

 

Working the Frame: Derrida, Harman, and the Language-Object Debate in the Humanities

updated: 
Monday, August 13, 2018 - 2:30pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

“How are you framing that?” It’s a frequent question we hear in the theoretically pluralistic world of the contemporary humanities. The question is seldom complimentary. As an interrogatory salvo, it frequently means: “What are the epistemological assumptions that undergird your conclusions?” The question is often meant to expose undertheorized terrain so that it can be made more intellectually robust with deeper thinking—or set aside as insufficient. Visual culture scholar John Tagg concisely defines framing, used in this sense, as “discursive constraint.” All framing, however, could arguably be seen as a problem of such constraint, regardless of how big or how refined the frame gets.

Digital Humanities and Narratives of Science, Technology, and Medicine

updated: 
Monday, August 13, 2018 - 2:28pm
Northeast Modern Language Association Conference
deadline for submissions: 
Sunday, September 30, 2018

Digital Humanities and Narratives of Science, Technology, and MedicineNeMLA 50th Anniversary Convention in Washington DC (March 21-24, 2019)

[SCMS 2019] Up to and Including Its Limits: Rethinking Experimental Cinema(s)

updated: 
Monday, August 13, 2018 - 2:27pm
Swagato Chakravorty / Yale University
deadline for submissions: 
Saturday, August 25, 2018

This panel invites new positions from which to conceptualize postwar moving-image art, extending into the contemporary moment. Anglo-American and European scholarship on moving-image art through the 1960s and 70s has largely privileged formalist thinking. There is, as Jonathan Walley has written, a “general agreement…that avant-garde filmmakers of this period followed the trend within modernist art toward medium-specific purification: the reduction of the art object to the essential physical or material components of its medium.”[1] In recent years, however, we have witnessed a number of crucial revisionist interventions.

Generating Debate in the Early American Literature Classroom

updated: 
Monday, August 13, 2018 - 3:06pm
Hugh Egan (Ithaca College)/ NeMLA 2019
deadline for submissions: 
Sunday, September 30, 2018

What issues currently generate debate among our students as they read classic American texts from the pre-Civil War era? Racism in Rowlandson and Jefferson? Toxic economic self-interest in Franklin? Paternalism in Emerson and Thoreau? This pedagogical roundtable will be devoted to a discussion of how we keep the 21st century student engaged with American texts from the 17th, 18th, and early 19th centuries. I am especially interested in the balance (if that is the right word) we strike between encouraging aesthetic appreciation of a work while simultaneously inviting sharp cultural/historical critique.

Complications of Eating: Investigating (In)digestion in Literature and Film

updated: 
Monday, August 13, 2018 - 1:03pm
Niki Kiviat
deadline for submissions: 
Wednesday, September 5, 2018

As recent literary and cultural critics have shown, food, and its presence in literature and film, is not solely linked to corporeal survival. The relationship between food and the body is also one of chemical and physical processes, and of tolerance and rejection (both individual and societal). Food—eating, preparation, choice—therefore also embodies social and cultural nuances and, in their evolution, processes of change. What is more, in the acts of consumption and digestion, food can re-emerge in various, and often socially taboo, ways and, in so doing, highlight sociocultural boundaries and normativities. In other words, food not only reflects on individual biological needs, but it also exposes larger social ontologies.

NeMLA Panel on James Baldwin's Global Legacy

updated: 
Monday, August 13, 2018 - 12:24pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

NeMLA; Washington DC; March 21-24, 2019

 

Disillusioned by the racial issues in America, James Baldwin moved to France in 1948. Nine years later, however, he was drawn back after seeing a photograph of Dorothy Counts, a young black girl in Charlotte, North Carolina being harassed by a white mob as she entered an all-white high school. They threw rocks, spat on her, and told her to go back to where she came from. The image and situation were significant for Baldwin for various reasons. First, despite his attempts to avoid American racism, it had found him in Paris. Second, it was as if the taunts of "go back to where you came from" to Dorothy Counts drew Baldwin back "home" to document and confront American racism head on.

Women Writing Crime

updated: 
Monday, August 13, 2018 - 2:27pm
NeMLA
deadline for submissions: 
Sunday, September 30, 2018

Women’s interest in crime, and violent crime in particular, has become increasingly apparent in recent years. Women now read more crime fiction and thrillers than men, are the primary audience for a number of popular true-crime podcasts (listeners of My Favorite Murder even refer to themselves as “Murderinos”), and increasingly enter fields of study that put them in close contact with the after-effects of violent crime, making up approximately 75% of current forensic science graduates.

Nemla 2019 Seminar "Queer Women: Reading and Writing in 19th & 20th Peninsular Spanish Literature"

updated: 
Monday, August 13, 2018 - 12:28pm
Ana Isabel Simón-Alegre / Adelphi University
deadline for submissions: 
Sunday, September 30, 2018

The topic of this seminar is the presence of the “chicas raras” in Modern Spanish literature, also known as “queer women” in English. Queer is the perfect conceptual framework to think about how Spanish authors explore feminist themes, such as discrimination or inequality using their narratives as a tool to examine tensions in female subjectivity. The concept queer includes the idea of gender dissidence that encompasses how female intellectuals experience sex, sexuality and, gender. Even if oftentimes these writers have difficulties conceptualizing these notions, they are perceptible in women narratives, especially through specific genres: autobiography, memoir, romance fiction and letters.

Call for Abstracts for NEMLA Roundtable: Gothic Television

updated: 
Monday, August 13, 2018 - 12:28pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

CALL FOR ABSTRACTS

Northeast Modern Language Association (NeMLA)

2019 Convention: March 21-24, Washington DC

Roundtable: GOTHIC TELEVISION (Session 17503, Aoise Stratford, Cornell University)

 

Moral Grammar in Nietzsche

updated: 
Monday, August 13, 2018 - 3:14pm
Anthony Kosar / NeMLA
deadline for submissions: 
Sunday, September 30, 2018

In On the Genealogy of Morals Friedrich Nietzsche writes critically of just how bound his own native German was to more widespread religious-moral beliefs, such as those which take a fixed moral subject as the beginning and end of all we can know, thereby leaving out one’s own doing as secondary to who one is. Nietzsche writes: “But there is no ‘being’ behind doing[…] – doing is everything” (GM I, 13) and thus suggests that the underlying grammar of the languages he himself knew well – all of which acknowledge if only implicitly an objective difference between subject and verb, doer and deed – were in fact wrong and had to be thought through from the ground up. One might yet take Nietzsche to task on this provocation.

CFP for NeMLA 2019: Viscerality in the 20th Century

updated: 
Monday, August 13, 2018 - 12:04pm
NeMLA March 21-24th, 2019 Washington, D.C
deadline for submissions: 
Sunday, September 30, 2018

We are seeking submissions for our accepted panel, entitled "Viscerality in the 20th Century," at the Notheastern Modern Language Association (NeMLA) Conference to be held on March 21-24th, 2019 in Washington D.C.

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