This collection of essays seeks to explore the many new and cutting-edge directions surrounding the scholarship of Henry V, especially related to global, transnational, and other approaches that connect the play to wider contexts than those in which it has been traditionally read. Henry V is a play that has long been read in terms of internal self-fashioning: both England’s and Henry’s own. What happens to the play as we look outwards from it towards the wider world, both early modern and contemporary, with which it engages? This collection looks to explore how we read Henry V now, both as an artifact of the past and as a living work still available for adaptation, interpretation, and re-use.

Playing Nice: Sincerity and Irony in Television

Edited by Owen Cantrell and Sage Westfall

Deadline for Submission: ASAP

We are urgently looking for at least one more completed essay for this collection under contract with a fast-approaching deadline. Please submit a 300-word abstract for a previously unpublished paper which is already or nearly complete. If accepted, we are looking to review your chapter and edit it within weeks, not months.

Full chapters should be between 6-8K words in length.

Collection details:

Producer, director, and screenwriter Gregg Araki is a pivotal figure in independent film, known for his distinctive style and contributions to New Queer Cinema. Despite his inclusion in such cinematic movement thanks to The Living End (1992), and his rise to fame with the Teen Apocalypse Trilogy (1993-1997), Araki's explorations of a more mainstream style and his incursions in television directing have garnered little critical and academic attention, except for his 2004 adaptation of the novel Mysterious Skin and his win of the first ever Cannes Film Festival Queer Palm in 2010 for his film Kaboom.