CFP: Postmodern Culture Call For Reviews (3/10/03; e-journal issue)

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Postmodern Culture Call for Reviews: Deadline 3/10/03

_Postmodern Culture_ is looking for reviews of recent books, films, CDs,
plays, TV shows, concerts, sporting events, performances, exhibitions,
conferences and conventions, happenings, and so forth, for the May 2003
issue. Reviews should be approximately 2000-3500 words long and should
follow the journal's format guidelines below.

For the upcoming May issue, reviews should be submitted by 10 March. A
selection will be made at that time. All correspondence will be answered
and all submissions will be given careful consideration. We regret that
we are unable to provide review copies to our reviewers.

The current issue of _Postmodern Culture_ is available on the web at

Formatting guidelines and a list of suggested titles are to be found

Send reviews, proposals, or queries to Paula Geyh at


Reviewers are encouraged to familiarize themselves with the journal and
its review section in particular before submitting reviews. The current
issue of _Postmodern Culture_ can be accessed on the Web at

You can save us a good deal of work by following these guidelines:

Reviews should generally run between 2000 and 3500 words, or about 8-14
ordinary manuscript pages. Each review should be accompanied by a brief
(3-5 line) bio of the reviewer.

Set margins to half-inch left, two-inch right, and set your font to
Courier 10cpi (or any 10cpi, non-proportional font). This is very
important, as it prevents too many characters on a line. Macintosh/Apple
users, however, should use Times Roman (or something similar) rather than
Courier, which creates glitches when read by PCs.

Put a title at the top of the first page, and under it your name,
institutional affiliation, email address, and mailing address. Center
these lines.

Below this, indicate the work reviewed as follows:

Review of
Author, _title_. City: Publisher, Date.

Number all paragraphs of your text with bracketed numbers (e.g., [1],

Indent (to 1") the first line of each paragraph and all lines of set-off

Single-space the document, but use double spacing between paragraphs.

Use _this_ for underlining titles, *this* for bold print or emphasis,
%this% for foreign words, and ^this^ for superscript. Notes should be
indicated in the text by ^1^ (and so on), and then again, at the end of
the document, by ^1^ (and so on), followed by the text of the notes
themselves. Footnotes created using word-processing commands will not
transfer into our formatting.

Footnotes and Works Cited page, if any, should follow MLA format.

Page references in the text, if any, should not be preceded by p., pp., or
any other notation; use just the page number itself.

Send your submission to the review editor, Paula Geyh, by e-mail to, not to the _PMC_ offices. Submissions should be sent
as e-mail attachments in either Word or Word Perfect (if using some other
word-processing program, save the document in ASCII).


SOME SUGGESTED TITLES (by no means exhaustive or exclusive):

Recent films from First Run/Icarus, including _Milles Gilles_ (on
Deleuze), _Culture Jam_, _Cul de Sac_, and _Power and Terror_ (Chomsky)

Alberro, Alexander and Patricia Norvell, eds., _Recording Conceptual Art_
(U of California P, 2001).

Allan, Graham, and Graham Crow, _Families, Households and Society_
(Palgrave, 2001).

Allen, Chadwick, _Blood Narrative: Indigenous Identity in American Indian
and Maori Literary and Activist Texts_ (Duke UP, 2002).

Asad, Talal, _Formations of the Secular: Christianity, Islam, Modernity_
(Stanford U P, 2003).

Ashcroft, Bill, _Post-Colonial Transformations_ (Routledge, 2001).

Baker, Keith Michael and Peter Hans Reill, eds., _What's Left of
Enlightenment?_ (Stanford UP, 2001).

Baudrillard, Jean and Jean Nouvel, _The Singular Objects of Architecture_
(U of Minnesota P, 2002).

Belasco, Warren and Philip Scranton, _Food Nations: Selling Taste in
Consumer Society_ (Routledge, 2001).

Bernstein, David W. and Christopher Hatch, eds., _Writings through John
Cage's Music, Poetry, and Art_ (U of Chicago P, 2001).

Blanchot, Maurice, _The Book to Come_ (Stanford U P, 2003).

Bourdieu, Pierre, _Masculine Domination_ (Stanford UP, 2001).

Brottman, Mikita, ed., _Car Crash Culture_ (Palgrave, 2001).

Bruzzi, Stella and Pamela Church Gibson, _Fashion Cultures: Theories,
Explorations and Analysis_ (Routledge, 2001).

Burt, Richard, ed., _Shakespeare after Mass Media_ (Palgrave, 2002).

Cazdyn, Eric, _The Flash of Capital: Film and Geopolitics in Japan_ (Duke
UP, 2002).

Castaneda, Claudia, _Figurations: Child, Bodies, Worlds_ (Duke UP, 2003).

Chanter, Tina. _Time, Death, and the Feminine: Levinas with Heidegger_
(Stanford UP, 2001).

Chambers, Iain, _Culture After Humanism: History, Culture, Subjectivity_
(Routledge, 2001).

Chapman, James, _Saints and Avengers: British Adventure Series of the
1960s_ (I.B. Tauris, 2002).

Cixous, Helene and Jacques Derrida, _Veils_ (Stanford U P, 2001).

Connell, John and Chris Gibson, _Soundtracks: Popular Music, Identity and
Place_ (Routledge, 2002).

Cruz-Malave, Arnaldo and Martin Manalansan, eds., _Queer Globalizations:
Citizenship and the Afterlife of Colonialism_ (New York University P,

Damisch, Hubert, _Skyline: The Narcissistic City_ (Stanford U P, 2001).

Davies, Alistair and Alan Sinfield, eds., _British Culture of the Postwar_
(Routledge, 2001).

Davis, Lennard J., _Bending Over Backwards: Essays on Disability and the
Body_ (New York University P, 2002).

Derrida, Jacques, _Negotiations: Interventions and Interviews, 1971-2001_
(Stanford U P, 2002).

Derrida, Jacques, _Without Alibi_ (Stanford U P, 2002)

Elliott, Emory et. al., eds., _Aesthetics in a Multicultural Age_ (Oxford
U P, 2002).

Frosh, Stephen, _Afterwords: The Personal in Gender, Culture and
Psychotherapy_ (Palgrave, 2002)

Gallop, Jane, _Anectodal Theory_ (Duke U P, 2002).

Garber, Marjorie and Nancy J. Vickers, eds., _The Medusa Reader_
(Routledge, 2002).

Gasche, Rodolphe, _The Idea of Form: Rethinking Kant's Aesthetics_
(Stanford U P, 2003)

Ginzburg, Carlo, _Wooden Eyes: Nine Reflections on Distance_ (Columbia U
P, 2001).

Goldberg, Ken, ed., _The Robot in the Garden: Telerobotics and
Telepistemology in the Age of the Internet_ (MIT P, 2000).

Han, Beatrice, Foucault's Critical Project: Between the Transcendental and
the Historical_ (Stanford U P, 2002).

Harvey, David, _Spaces of Capital: Towards a Critical Geography_
(Routledge, 2001).

Hayles, N. Katherine, _Writing Machines_ (MIT Press, 2002).

Highmore, Ben, _Everyday Life and Cultural Theory_ (Routledge, 2001).

Highmore, Ben, _The Everyday Life Reader_ (Routledge, 2001).

Hills, Matthew, _Fan Cultures_ (Routledge, 2002).

Hjort, Mette and Scott MacKenzie, eds., _Purity and Provocation: Dogme 95_
(BFI, Oxford U P, 2003).

Hodgson, Dorothy, ed., _Gendered Modernities: Ethnographic Perspectives_
(Palgrave, 2001).

Huggan, Graham, _The Postcolonial Exotic: Marketing the Margins_
(Routledge, 2001).

Hurliman, Lesha and Numsiri Kunakemakorn, eds.,
_WithoutCovers://literary_magazines @the_digital_edge_ (Purdue U P, 2002).

Huyssen, Andreas, _Present Pasts: Urban Palimpsests and the Politics of
Memory_ (Stanford U P, 2003).

Irigaray, Luce, _Between East and West: From Singularity to Community_
(Columbia U P, 2002).

Irigaray, Luce, _To Speak is Never Neutral_ (Routledge, 2002).

Israel, Nico, _Outlandish: Writing Between Exile and Diaspora_ (Stanford
UP, 2000).

Kane, Daniel, _All Poets Welcome: The Lower East Side Poetry Scene in the
1960s_ (Oxford U P, 2003).

Kinder, Marsha, ed., _Kids' Media Culture_ (Duke UP, 1999).

Knight, Arthur, _Disintegrating the Musical: Black Performance and
American Musical Film_ (Duke, 2002).

Knight, Peter, _Conspiracy Culture: From Kennedy to 'The X-Files'_
(Routledge, 2001).

Knight, Peter, ed., _Conspiracy Nation: The Politics of Paranoia in
Postwar America_ (New York University P, 2002).

Kristeva, Julia, _Intimate Revolt: The Powers and Limits of
Psychoanalysis_ (Columbia U P, 2002).

Lancaster, Roger N., _The Trouble with Nature: Sex in Science and Popular
Culture_ (Oxford U P, 2003).

Law, John, _Aircraft Stories: Decentering the Object in Technoscience_
(Duke U P, 2002).

Law, John and Annemarie Mol, eds., _Complexities: Social Studies of
Knowledge Practices_ (Duke U P, 2002)

Levinson, Brett, _The Ends of Literature: The Latin American "Boom" in the
Neoliberal Marketplace_ (Stanford U P, 2001).

Liepe-Levinson, Katherine, _Strip Show: Performance of Gender and Desire_
(Routledge, 2002) perhaps with McNair's _Striptease Culture_ (see below).

Lotringer, Sylvere and Sande Cohen, eds., _French Theory in America_
(Routledge, 2001).

Loviglio, Jason and Michele Hilmes, eds., _Radio Reader: Essays in the
Cultural History of Radio_ (Routledge, 2001).

Luhmann, Niklas, _The Reality of the Mass Media_ (Stanford U P, 2000).

Luhmann, Niklas, _Theories of Distinction: Redescribing the Descriptions
of Modernity_ (Stanford U P, 2002).

Lyotard, Jean-Francois, _Soundproof Room: Malraux's
Anti-Aesthetics_(Stanford U P, 2001).

Massumi, Brian, ed., _A Shock to Thought: Expressions After Deleuze and
Guattari_ (Routledge, 2001).

Mattessich, Stefan, _Lines of Flight: Discursive Time and Countercultural
Desire in the Work of Thomas Pynchon_ (Duke U P, 2003).

McGann, Jerome, _Radiant Textuality: Literature After the World Wide Web_
(Palgrave, 2001).

McKenzie, Jon, _Perform or Else: From Discipline to Performance_
(Routledge, 2001).

McNair, Brian., _Striptease Culture_ (Routledge, 2002).

Meyer, Richard, _Outlaw Representation: Censorship and Homosexuality in
Twentieth-Century American Art_ (Oxford U P, 2001).

Munck, Ronaldo. _Marx @ 2000: Late Marxist Perspectives_ (Zed
Books, 2002).

Napier, Susan J., _Anime from Akira to Princess Mononoke: Experiencing
Contemporary Japanese Animation_ (Palgrave, 2001).

Natoli, Joseph, _Postmodern Journeys: Film and Culture 1996-1998_ (SUNY P,

Neal, Mark Anthony, _Soul Babies: Black Popular Culture and the Post-Soul
Aesthetic_ (Routledge, 2002).

Nel, Philip, _The Avant-Garde and American Postmodernity: Small Incisive
Shocks_ (UP of Mississippi, 2002).

Pisters, Patricia, ed., _Gilles Deleuze: Micro-politics of Audiovisual
Culture_ (U of Michigan P, 2001)

Pomerance, Murray, ed., _Ladies and Gentlemen, Boys and Girls: Gender in
Film at the End of the Twentieth Century_ (SUNY P, 2001).

Poster, Mark, _What's the Matter with the Internet?_ (U of Minnesota P,

Rabate, Jean-Michel, _Jacques Lacan: Psychoanalysis and the Subject of
Literature_ (Palgrave, 2001).

Rand, Richard, ed., _Futures of Jacques Derrida_ (Stanford U P, 2001_.

Rasch, William, _Niklas Luhmann's Modernity_ (Stanford U P, 2000).

Ray, Robert, _How a Film Theory Got Lost and Other Mysteries in Cultural
Studies_ (Indiana U P, 2001).

Rosen, Philip, _Change Mummified: Cinema, Historicity, Theory_
(U of Minnesota P, 2001).

Royle, Nicholas, ed., _Deconstructions: A User's Guide_ (Palgrave, 2000).

Sanders, Mark, _Complicities: The Intellectual and Apartheid_ (Duke U P,

Santiago, Silviano, _The Space In-Between: Essays on Latin American
Culture_ (Duke U P, 2002).

Sarker, Sonita and Esha Niyogi De, eds., _Trans-Status Subjects: Gender in
the Globalization of South and Southeast Asia_ (Duke U P, 2003).

Shimakawa, Karen, _National Abjection: The Asian American Body Onstage_
(Duke U P, 2003).

Simpson, David, _Situatedness, or, Why We Keep Saying Where We're Coming
From_ (Duke U P, 2002).

Tabbi, Joseph, _Cognitive Fictions_ (U of Minnesota P, 2002).

Terada, Rei, _Feeling in Theory: Emotion after the "Death of the Subject"_
(Harvard U P, 2001).

Thrift, Nigel and John May, eds., _Timespace: Geographies of Temporality_
(Routledge, 2001).

Warner, Michael, _Publics and Counter Publics_ (Zone/MIT P, 2002).

Williams, Gareth, _The Other Side of the Popular: Neoliberalism and
Subalternity in Latin America_ (Duke UP, 2002).

Yau, Esther C.M., ed., _At Full Speed: Hong Kong Cinema in a Borderless
World_ (U of Minnesota P, 2001).

Zahavi, Dan, _Husserl's Phenomenology_ (Stanford U P, 2003).

Drunken Boat and other on-line creative/avant-garde journals:

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Received on Sat Feb 15 2003 - 22:45:05 EST

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