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UPDATE: Nations Speaking: Indigenous Performances Across the Americas (9/15/06; journal issue)full name / name of organization: Roark, Carolyn D. contact email: Carolyn_Roark@baylor.edu Deadline amended: Call for Papers Baylor Journal of Theatre and Performance Volume 4.1, Spring 2007 "Nations Speaking: Indigenous Performances Across the Americas" Baylor Journal of Theatre and Performance seeks essays for a special issue, to be guest-edited by Christy Stanlake. We welcome essays that explore performance in, and performative aspects of, the indigenous communities of the Americas, including North, Central, and South America. Over the past two decades, American Indian theatre has been actively growing, at both a grassroots level and in professional theatre. Along with the increase in theatrical work has been a growing circle of American Indian theatrical publications (in anthologies and UCLA's Project HOOP series.) Institutions, like the National Museum of the American Indian and the Mashantucket Pequot Museum are collaborating with Indigenous performance artists to create venues for performative exchanges and conversations across Native Nations. Therefore, now is an opportune moment for a special issue of the journal dedicated to the topic. We are especially interested in submissions that seek to move beyond a tendency (sometimes called "academic tourism") to fetishize indigenous peoples and their cultures. Topics for this issue may include plays written for the theatre, performance artists or groups, and popular performances, including non-manuscript based traditions such as music, dance, and oral/storytelling practices. We also welcome articles that consider the complexities facing artists, companies, publication, and performance within the debatable context of boundaries, identities, and nomenclature surrounding native communities-i.e., the debate of "indigenous" vs. ""Native Americans," "American Indians," "First Nations People," "Aboriginal," etc. . Because BJTP has a particular commitment to scholarly inquiry surrounding the intersections of spirituality and theatrical performance, we are interested in submissions related to this area of research; however, we will avoid the ethnographic study of religious traditions and seek instead articles that consider: the problem of preserving sacredness of ritual performance in the face of outside curiosity, the ways that theatre considers interactions between native peoples and the religious/cultural traditions of their own or others' communities, and other appropriate topics of sacredness and spirituality that may arise. In addition to scholarly articles, the journal seeks book and performance reviews and interviews related to the featured topic. Documents can be submitted in electronic format only to the editor Carolyn Roark at bjtp_at_baylor.edu. Inquiries regarding submission and subscription may be directed to the editor, and additional information, including submission guidelines and a style sheet, may be found at www.baylor.edu/bjtp <outbind://6/www.baylor.edu/bjtp> . This publication blind submission policy. Baylor Journal of Theatre and Performance is indexed by the MLA International Bibliography. Deadline for Submission is Sept. 15, 2006. =20 ========================================================== cfp categories: american
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