CFP: The Gothic Body as Romantic Object (6/1/07; ICR, 10/18/07-10/21/07)

full name / name of organization: 
Nowell Marshall
contact email: 
Nowell.Marshall@email.ucr.edu

CFP: The Gothic Body as Romantic Object (6/1/07; ICR, 10/18/07-10/21/07)
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Approved special session for the International Conference on =
Romanticism, Oct. 18-21,2007, Baltimore, MD
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Despite recent studies exploring and contesting the canonical division =
between Romanticism and the Gothic, scholars have yet to address the =
central role of the gothic body in Romantic-era texts. From early =
monsters, such as Byron's Giaour, Polidori's vampire, Keats's Lamia, =
Coleridge's Geraldine, Percy Shelley's monster in Julian and Maddalo, =
and Mary Shelley's monster in Frankenstein to the gothic monstrosity of =
Eugenia and the trope of the mad woman in Burney's Camilla and Charlotte =
Bront=EB's Jane Eyre, the gothic body pervades Romantic and =
post-Romantic texts.
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As a result, this panel attempts to examine one of the most overlooked =
tropes within Romantic-era writing: the gothic body. =20
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Why does the gothic body appear so prominently during the Romantic =
period? =20
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Does it signify differently in Romantic poetry than it does in the =
gothic novel or short story? =20
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What does the Romantic fascination with the gothic body tell us about =
political, social, scientific, religious, and philosophical theories of =
the period? =20
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How does the gothic body function as an object of desire, abjection, or =
exchange? =20
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What is the rhetorical purpose of the gothic body? =20
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What does the gothic body reveal about Romantic author's reactions to =
Enlightenment epistemologies? =20
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Email 250-word abstracts on or before June 1, 2007:
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Nowell Marshall (Nowell.Marshall_at_email.ucr.edu)
University of California, Riverside
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and=20
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Kirsti Cole (kkcole_at_gmail.com)
Arizona State University

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Received on Fri Apr 13 2007 - 16:22:44 EDT

cfp categories: 
romantic