CFP: [Theory] Configurations of Cultural Amnesia

full name / name of organization: 
Apostolos Lampropoulos
contact email: 
aplampro@ucy.ac.cy

Synthesis
http://www.enl.uoa.gr/synthesis/

Volume 2 (2009)

Call for papers

Apostolos Lampropoulos - Vassiliki Markidou (issue eds.)

Configurations of cultural amnesia

The notion of amnesia is embedded in the complex intricacy that
characterizes the interface between past and present, it manifests a
relationship with the future as an à-venir (to come), and refers to an
involuntary and mainly pathological condition. If lethe is often linked
to the desire, effort, or imperative choice to forget, avoid, efface and
finally obliterate a ‘past’, amnesia seems related both to the inability
to trace the past and to an urgency to remedy this state. On the one
hand, lethe entails the paradox of making the subject declare that which
s/he forgets as already forgotten and therefore leads him/her to remember
it; respectively, the urge against lethe (“Don’t forget!”) testifies to
forgetting as an everlasting danger and to the constant need to remind
oneself to remember. On the other hand, the symptoms of amnesia are
primarily detected by those not involved in it: I recognize the other's
amnesia. Finally, if amnesia exempts its subject from any links to a
past, it might also provide him/her with some kind of ‘unconditionality’.

How can one thus speak about cultural amnesia? If the current critical
discourse refers to prefabricated, thus artificial, memory and lethe, can
one argue for an involuntary loss of cultural memory? Who is the
(critical) subject talking about cultural amnesia and which is the
(historical) subject of amnesia itself? In which ways has amnesia been
vital in articulating the connection between the cultural and the
political across centuries? In which historical eras, literary movements
and philosophical trends can one discern symptoms of cultural amnesia?
Could amnesia be considered an integral feature of developments in the
field of ideas? If so, why are memory and lethe predominant in critical
discourse at the expense of amnesia and why do we keep forgetting the
multiple amnesias of the past? Moreover, if Theory has led to the
undermining of some philological practices and philosophical traditions,
could one claim that this “lotus-eating” effect of Theory has enabled it
to obtain a distinguished status in the global marketplace of ideas? Does
Theory need to be based on some sort of amnesia? Finally, what is the
relationship between cultural amnesia and the construction of diverse and
often clashing literary canons throughout literary history but also at
the dawn of the 21st century?

We invite contributions that will help build a trans-historical and inter-
disciplinary overview of the poetics and politics of cultural amnesia,
and further the understanding of the ways in which it is articulated both
in critical discourses and in representational forms such as literature,
historiography, film, and art, while concurrently shaping them.

Papers may address topics such as:
• cultural amnesia and the delineation of subjectivity/identity
• cultural amnesia and the constructions/representations of reality
• cultural amnesia as a tool for national and cultural myth-making
• cultural amnesia, slavery, and colonial exploitation
• cultural amnesia, war, trauma, and amnesty
• cultural amnesia, hospitality and forgiveness
• history and the anxiety of cultural amnesia
• cultural amnesia and narrative discontinuities
• cultural amnesia and corporeal inscriptions
• cultural amnesia, gender, and the queer
• the politics of cultural amnesia, the ‘death’ of philological
analysis, the ‘forgotten’ philosophical traditions, and the rise of Theory

Detailed proposals for articles (800-1000 words) as well as any inquiries
regarding this issue should be sent by email to both Issue editors:
Apostolos Lampropoulos (aplampro_at_ucy.ac.cy) and Vassiliki Markidou
(vmarkidou_at_enl.uoa.gr).

Deadlines
15.10.2008 submission of abstracts
31.10.2008 notification of acceptance
30.3.2009 submission of articles
30.5.2009 peer-reviews
31.8.2009 submission of the final version of the articles

Synthesis is a scholarly journal of literature and culture, emerging as a
response to the call for a new or renewed literary praxis that returns to
the literary text without any resistance to the variety of theoretical
discourses and rethinks the question of the political with which the
literary is critically intertwined. Located in a non-Anglophone European
country and investing in the wide area of English Studies, this new
journal seeks to become a site where different positions and propositions
can coexist in an agonistic and interactive way; thereby its name syn-
thesis that opens to the variants of synthesis and syntheses.

Encouraging comparative interdisciplinary and inter-/cross-cultural
perspectives, Synthesis also addresses how metropolitan and Anglocentric
politics permeate practices in English studies in non-metropolitan and,
in particular, non-Anglophone places. Synthesis proposes the position
that this is the case not only in postcolonial nations but also in
Europe; while these local, non-metropolitan sites like Greece once were
under the hegemony of Anglocentric traditions, they now generate new
voices and mappings that critically engage with hegemonic discourses.

With the firm belief that these contexts are sites of knowledge
production and not master-mimicry, the collective board of Synthesis
solicits articles that critique, challenge and rethink a variety of
theoretical and literary discourses and articulate new positions (theses)
that get together (syn) in both dissonance and harmony.

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Received on Fri Sep 05 2008 - 02:02:31 EDT

cfp categories: 
theory