cfp.english.upenn.edu

Ezra Pound once wrote, "Nothing written for pay is worth printing. Only what has been written against the market." As if in response, Robert Frost wrote, "Modern poets talk against business, poor things, but all of us write for money. Beginners are subjected to trial by market." How do market forces or market values function in twentieth-century English/Anglophone, American, or Canadian literature? Emphasis on literary representations of the marketplace and/or the tensions and contradictions that emerge when artists attempt to exploit the marketplace. 250-word abstracts to Steven Canaday at sbcanaday@aacc.edu.