[UPDATE: DEADLINE EXTENDED to 9/15: Shakespeare In (and Out of) Love Area]

full name / name of organization: 
2010 Film & History Conference
contact email: 
njs16@psu.edu

NEW (final) deadline for submissions for the “Shakespeare In (and Out of) Love” Area at the 2010 Film & History Conference: Representations of Love in Film and Television: September 15, 2010.

The conference will be held at the Hyatt Regency Milwaukee between November 11 and November 14, 2010. For more information, go to www.uwosh.edu/filmandhistory.

In A Midsummer Night’s Dream, Lysander proclaims that “The course of true love never did run smooth.” The young Athenian unknowingly targets a major source of dramatic tension in many of the plays: Shakespeare repeatedly explores the difficulties of finding, sustaining, and expressing love. Yet as Maurice Charney observes in Shakespeare on Love & Lust (2000), there exists no “single, coherent concept of love in Shakespeare.” While engaged by the ideas of Petrarch and Plato, the playwright never subscribes to one view of passion. Rather, his depictions of it vary over the course of his career, as he considers romantic idealization, erotic desire, filial affection, and Christian agape; and as he shifts from history to comedy, from tragedy to romance.

Filmmakers have again and again mined Shakespeare’s diverse representations of love for inspiration. This area invites papers that consider how Shakespearean film adaptations (broadly defined) treat love. Papers might respond to the following questions or branch out in alternative directions:

- What role do modern notions of romance play in marketing and promoting Shakespearean film adaptations?

- How do cinematic depictions of Shakespeare in the classroom license or exploit “forbidden love”?

- What role does music play in the representation of love in films such as Romeo + Juliet (1996) and Hamlet (2000)?

- How do the genres of the plays influence the handling of love in Shakespearean film adaptations?

- Do Kenneth Branagh’s Shakespearean comedies reveal a consistent take on Shakespearean love?

- How does cross-dressing in contemporary films like She’s The Man (2006) speak to attitudes on love and gender in Shakespeare’s age—or in our own?

- What does Shakespearean love mean when envisioned in the cultural context of Bollywood films?

- How do Shakespeare’s notions of heterosexual and homosexual love relate in a film like Were the World Mine (2008)?

- How do portrayals of Shakespearean love differ in television (from Moonlighting to The Simpsons) and film?

- How is fandom (love of Shakespeare) characterized in films such as The Dresser (1983) and 10 Things I Hate About You (1999).

- How do representations of Shakespeare as an historical figure, in films such as Shakespeare in Love (1998) or in television shows such as Dr. Who, draw upon ideas about love from the early modern period?

Please send your 200-word proposal by e-mail to the area chair:

Noel Sloboda
Penn State York
1031 Edgecomb Avenue
York, PA 17403
Email: njs16@psu.edu (email submissions preferred)

Panel proposals for up to four presenters are also welcome, but each presenter must submit his or her own paper proposal. For updates and registration information about the upcoming meeting, see the Film & History website (www.uwosh.edu/filmandhistory).

cfp categories: 
film_and_television
general_announcements
interdisciplinary
popular_culture
renaissance
theatre