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DEFINING THE NEW: EXPERIMENTS AND INNOVATIONS IN ENGLISH STUDIES, Oct. 22-23, 2010full name / name of organization: Ohio University Department of English / Quarter After Eight Literary Journal contact email: klnuernberger@yahoo.com DEFINING THE NEW: EXPERIMENTS AND INNOVATIONS IN ENGLISH STUDIES Keynote Address by: Anne Francis Wysocki “Literature is news that stays news.” It was Alexander Pope who remarked “the sound must seem an echo to the sense,” while Ezra Pound admonished writers to “make it new.” This conference seeks to explore how theorists, critics, compositionists, essayists, fictionists, poets, and other writers have defined or used different critical paradigms, as well as experimented with different forms to make their writing new or to more perfectly echo their sense. This conference will dovetail with a feature of critical essays on the history and future of experimental writing in Quarter After Eight, a literary journal focused on innovative writing. All conference papers will be considered for publication in this feature. We are looking for work from the fields of Comparative Literature, Composition Studies, Creative Writing, Critical Theory, Folklore, Linguistics, Literary History, Rhetoric, and other disciplines related to literary study. Possible topics: -New definitions of the term “experimental” Please submit a 1-2 page abstract or a 5-10 page representative sample of your creative work by September 1, 2010 to: Defining the New: Experiments and Innovations in English Studies cfp categories: african-american american bibliography_and_history_of_the_book classical_studies cultural_studies_and_historical_approaches ecocriticism_and_environmental_studies eighteenth_century ethnicity_and_national_identity film_and_television gender_studies_and_sexuality graduate_conferences humanities_computing_and_the_internet interdisciplinary journals_and_collections_of_essays medieval poetry popular_culture postcolonial professional_topics religion renaissance rhetoric_and_composition romantic science_and_culture theatre theory twentieth_century_and_beyond victorian
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