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CFP: Special Issue on "Oil Culture"
full name / name of organization:
Daniel Worden, University of Colorado at Colorado Springs; Ross Barrett, University of North Carolina, Chapel Hill
firstname.lastname@example.org ; email@example.com
Petroleum has long been recognized to be a dangerously volatile commodity whose illuminative and propulsive capacities are inseparable from its destructive potential. This catastrophic power has been reaffirmed by the succession of environmental disasters that have accompanied the global expansion of oil extraction--a series of ecological tragedies culminating in the 2010 Deepwater Horizon blowout--and the array of social antagonisms, global political conflicts, and chaotic economic cycles that have developed around the industry since its beginnings. Despite its disastrous implications, however, oil came to be embraced over the course of the nineteenth and twentieth centuries as an unassailable "fact" of everyday American experience, a core issue of national political platforms, and a reliable pillar of industrial and financial capitalism in the U.S. While much work has been done to track the material and political processes that made the dominance of oil capitalism possible, relatively little scholarship has addressed the rise of oil as a cultural problem.
For this special issue, we seek essays that explore the wide field of "oil culture" that has emerged around the American petroleum industry in the 150 years since its inception in northwestern Pennsylvania. More specifically, we are looking for articles that examine how literature, art, film and photography, television programming, the print and digital news media, advertising and industry publicity, legal argument and theory, political rhetoric and imagery, academic and corporate research, and other forms of public culture have contended with the volatile material of oil and the systemic shifts that it has produced, and in so doing contributed to, or contested, the reorientation of modern American life around oil capitalism. We hope, ultimately, to assemble a roster of essays that elucidate the complex role that imaginative representations have played in the establishment of oil as the primary commodity underpinning modern economic expansion and a fundamental ontological construct shaping social, economic, and political life in the United States and beyond.
Papers might address a range of subjects and problems, including:
--literary, cinematic, and artistic visions of oil
Authors are asked to electronically submit an abstract of 500-1000 words and an abbreviated cv (two pages) to Ross Barrett (firstname.lastname@example.org) and Daniel Worden (email@example.com) by September 1, 2010. Abstracts should articulate the central arguments, theoretical and/or historical implications, and methodological approach of the proposed essay, and situate the essay within relevant scholarly conversations. The abstract and cv should be sent as Word documents or PDFs.
After reviewing the proposals, the editors will notify the selected authors and submit chosen abstracts to the Journal of American Studies by September 8, 2010. Upon acceptance by the journal, authors will be asked to submit a full copy of their article to the issue editors by January 2011. The full version of the article should not exceed 6000 words, and should be accompanied by a short abstract (200-300 words). All articles will go through the peer-review process, and it is on the basis of these reviews that articles will be selected for publication in the special issue.
For further information on the Journal of American Studies, please see: