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[UPDATE] Panel: Gus Van Sant - SCMS New Orleans Mar. 10-13full name / name of organization: Justin Horton, Georgia State University contact email: justinbhortonATgmailDOTcom Organizer: Justin Horton, Georgia State University Few contemporary filmmakers have amassed a body of work as intriguingly heterogeneous as that of Gus Van Sant. Ranging from New Queer Cinema (*Mala Noche*, *My Own Private Idaho*) to more mainstream “indie” successes (*Drugstore Cowboy*), Hollywood acclaim (*Good Will Hunting*, *Milk*) to an art cinema “death trilogy” (*Gerry*, *Elephant*, *Last Days*), Van Sant’s career is marked by abrupt shifts in subject matter, style, and mode of production. Further, he proves himself to be quite the rarity—both an art house critical darling and a Hollywood “A-list” director. And yet, in spite of this heterogeneity, there remains a distinctive authorial temperament. Being that Van Sant’s work is so diverse, it may be approached from many angles and lends itself to a number of theoretical lenses. This panel seeks to explore this rich body of work, one that has received relatively scant scholarly attention. We are presented now, 25 years after the release of Van Sant’s debut feature, *Mala Noche*, with an opportune moment to consider more fully this singular filmmaker. Topics might include (but are not limited to) the following: Please send 300-word abstract with 3-5 bibliographic sources and a brief author biography by August 8, 2010 to Justin Horton (justinbhorton[AT]gmail[DOT]com). Notifications of acceptance will be sent by August 13, 2010. cfp categories: american cultural_studies_and_historical_approaches film_and_television gender_studies_and_sexuality general_announcements interdisciplinary popular_culture theory
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