[UPDATE] Prove It On Me: Ambivalent Lesbian Representation in the Harlem Renaissance (30 Sept. 2010, NEMLA 7-10 Apr. 2011)

full name / name of organization: 
Phillip Zapkin / NEMLA
contact email: 
pzapkin@uvm.edu

The Harlem Renaissance tried to fill socially-constructed absences in African-Americans’ group identity (such as humanity, art, masculinity, morality) by creating a respectable black middle class. Bourgeois imperatives complicated middle class queer existence by enforcing heteronormativity, in contrast to working class Harlem's more open relationship to sexual expression. This panel explores representations, direct or ambivalent, of African-American lesbian desire and resistance in the arts, music, and literature of the Harlem Renaissance and the contemporary queer renaissance.

Please send 300-500 word abstracts to Phillip Zapkin, pzapkin@uvm.edu by 30 Sept. 2010. Please include your name, affiliation, e-mail address, and any A/V requirements.

cfp categories: 
african-american
american
cultural_studies_and_historical_approaches
ethnicity_and_national_identity
gender_studies_and_sexuality
general_announcements
modernist studies
poetry
popular_culture
theatre
theory
twentieth_century_and_beyond