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Travel in the Nineteenth Century: Narratives, Histories and Collections (14-15 July 2011)
full name / name of organization:
University of Lincoln (UK)
In the nineteenth century, railways made distant locations ever more accessible, the Grand Tour became more and more a pastime of the middle classes and British imperial expansion brought exotic locales and non-Western cultures ever closer to home. New ways of thinking about and communicating experiences of travel and of interactions with other cultures held a significant influence in various areas of nineteenth-century culture. This period saw an enormous expansion in museums and popular exhibition culture, technological innovations such as photography and film, as well as the vast growth of a popular press that served to deliver these experiences, images and objects to an increasingly literate public. This public in turn seemed to possess an insatiable appetite for travel narratives, shows and exhibitions, both fictional and factual.
This interdisciplinary conference seeks to explore the divergent and complex ways in which travel was understood and communicated in the nineteenth century. Contributors are invited to investigate the depiction and representation of travel in as wide a variety of media and for as wide a variety of audiences as possible. We seek submissions from historians, literary scholars, art historians, anthropologists and material culture scholars, which illuminate the narratives—popular, academic, private or official—that surrounded travel in the period.
Plenary speakers will be James Buzard (Massachusetts Institute of Technology), Geoff Quilley (Sussex University), Nicholas Thomas (Cambridge University).
We invite papers on themes such as:
The construction of ideas of the real and the virtual or authenticity and distance through travel narratives
Different venues for narrating travel, including the domestic, and the way such venues affected the consumption of travel narratives
Forms of travelling individuals, such as the missionary, the explorer, the tourist, the connoisseur or the scientist, and how they were constructed by texts, images and objects
Different audiences for travel narratives – in literature, exhibitions, private patronage of artists, or in museums and private collections
How different narratives framed and constructed the moment of encounter with the cultural other in travel
Travelling in time as well as travelling in space
We also invite session proposals which map onto the themes listed above. Session proposals should include a brief outline of the session (300 words) as well as three abstracts (300 words each) for the proposed session.
Closing date for proposals: 15 February 2011