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BARS 2011: Enlightenment, Romanticism & Nation, 28-31 July, 2011
full name / name of organization:
School of Critical Studies, University of Glasgow
ENLIGHTENMENT, ROMANTICISM & NATION
'Re-Enlightenment' panel discussion:
In the last few decades, scholarly perceptions of the relationship between Enlightenment and Romanticism have been revised in a number of ways, to the extent that a narrative of continuity has largely replaced an older picture of rupture and antagonism. This is especially evident in the following fields: romantic affect, sensibility and gender; the aesthetics of the sublime and beautiful; conversation and romantic sociability; antiquarianism and historiography; periodicals and the history of the book; race and ethnicity; popular culture and the ballad revival (the list is far from exhaustive). At the same time the period categories ‘Enlightenment’ and ‘Romanticism’ have themselves been opened up to a more pluralistic and contextualised understanding. The rise of a ‘four nation’ approach to Romanticism has questioned an older ‘centre and periphery’ model of cultural production, devolving canonical notions of ‘English literature’ and underlining a more nuanced sense of national and regional location. By extension, this has important consequences for thinking about nationalism in Europe and the wider world, as well as transnational and colonial networks, ethnic diasporas, migration and slavery: why was the ‘British Empire’ never the ‘English Empire’? It is with a view to encouraging papers addressing these and other related themes that the 12th Biennial International Conference of the British Association for Romantic Studies has chosen the title of ‘Enlightenment, Romanticism & Nation’.
The conference seeks to address two specific areas: first, the relationship between the Scottish Enlightenment and Romanticism (British, American, European etc); and second, the study of Scottish, Irish, and Welsh literature in relation to their distinct national cultures, and to the overarching claims of ‘Britishness’. Regarding the first area, we ask what are the relative claims of Scottish thinkers and literati like Hume, Smith, Blair, Reid, Beattie and Stewart, compared, say, to French and German influences, upon Romantic literature and criticism? This might focus on associationism and Common Sense philosophy versus Transcendentalism, or ‘rhetoric and belles lettres’ criticism in relation to the claims of Germano-Coleridgean theories of imagination, amplifying recent debates about the complex conceptual and philosophical issues that energised the scene of writing in the long eighteenth-century.
We hope that our rubric is broad enough to encompass the work of scholars researching across the whole range of Romantic literature, while at the same time highlighting our Scottish location, and the particular research grouping of Glasgow’s School of Critical Studies. Glasgow University was a key centre of the Scottish Enlightenment and today has an international reputation in both Enlightenment and Romantic studies, with the latter currently being taught at all levels in the School. Glasgow’s active community of academic staff and graduate students working in the area of Romanticism will provide a congenial intellectual environment for this international conference. The School has recently run a postgraduate programme entitled ‘Enlightenment, Romanticism, & Nation’, convened by Professor Nigel Leask, and is also home to the Centre for Robert Burns Studies, as well as being the institutional base for the new Oxford Collected Works of Robert Burns, General Editor Dr Gerard Carruthers. In 2011 the School will launch The Edinburgh Companion to Scottish Romanticism, edited by Professor Murray Pittock. As the proud host of next summer’s 12th International Biennial Conference of the British Association for Romantic Studies, Glasgow and its ancient university’s College of Arts remains committed, now as in the past, to bringing the world to Scotland and Scotland to the world.
We welcome the submission of:
Suggested panel presentations comprising 3 presenters and chairperson (please submit 3 x 250-word abstract and a short rationale for the panel theme).
250-word abstracts for twenty-minute papers that broadly address the above themes in twenty-first century Romantic studies, and that may address, but not be limited by, the following topics:
* Four-Nations Romanticism: Literary relations between England, Scotland, Ireland and Wales in the period.
* The Scottish Enlightenment and Romanticism: Papers might address associationism, Common Sense philosophy, rhetoric, aesthetics and theories of imagination, political economy, stadial theory.
* Adam Smith and Sympathy: Smith was professor of Moral Philosophy at Glasgow University 1752-64, and his Theory of Moral Sentiments (1759) profoundly influenced Romantic criticism and literary production.
* Antiquarianism, History and Historiography: Modes of antiquarian and historical writing in relation to criticism, poetry and the novel.
* Robert Burns and Romanticism: Glasgow’s School of Critical Studies hosts the Centre for Robert Burns Studies, and is the institutional base for the new Oxford edition of the Collected Works of Robert Burns. Of particular concern is the reception and influence of Burns’s poetry and song in England, Ireland and Europe, as well as further afield, from Philadelphia to Calcutta.
* Language: Standard versus vernacular English, Scots and the ‘copia verborum’; linguistic ‘improvement’; literary relations between English and Celtic languages; translation, dictionaries and the ‘grammar of Empire’; ethnography and etymology; poetic diction.
* National Public Spheres and Romantic Periodical Culture: Scottish, English, Irish and Welsh literary public spheres in the long eighteenth century; intellectual sociability and the contexts of Romantic cultural production; gender and the public sphere; national enlightenments and periodical cultures.
* Romantic Writers and Asia: Empire, Nation and Exchange: Four nations participation in imperial cultural exchange and trade; Romantic Orientalism at home and abroad; imperial cultural production and Romantic literary genres.
* Sir Walter Scott, Nation and the Romantic Historical Novel: Scott, the Scottish Enlightenment, and Scottish Romantic cultural production; the Romantic historical novel and the Union; the national tale and the Romantic historical novel.
* James Hogg and Scottish Romanticism: Scottish Gothic modes and Confessions of a Justified Sinner; Hogg and folktales, ballads and song; Hogg and Scottish regionality; Hogg, pastoralism and modernity.
Other papers may address the following topics:
DEADLINE FOR SUBMISSIONS: FRIDAY 21 JANUARY 2011