PLAYFUL INTERRUPTIONS IN RECENT FILM (6/1/2011; MMLA, 11/3-6/2011)

full name / name of organization: 
Defiance College
contact email: 
tcomer@defiance.edu

In Jean-Luc Nancy's The Inoperative Community representations are not just works of art (oeuvre); they also, in fact, work. Representations present "community" and thereby give a disparate group of beings an identity, borders, and a body. If representations work, what happens when a work founders, when it falls apart, and opens onto something else? Would this opening then be the place or space of play, even serious play? What does this "absence of work" look like formally? What are the ethical consequences of such playful interruptions? Papers on non-mainstream directors are of particular interest.

Please send 250 word abstracts to Todd Comer, Defiance College, (tcomer@defiance.edu) by June 1, 2011.

Midwest Modern Language Association Annual Conference
http://www.luc.edu/mmla/annualconvention.html
St. Louis, Missouri, November 3-6, 2011

cfp categories: 
cultural_studies_and_historical_approaches
ethnicity_and_national_identity
film_and_television
interdisciplinary
popular_culture
theory
twentieth_century_and_beyond