Diasporic Identity: Leaving and Returning in British Fiction (2011 SAMLA Conference: Nov. 4-6)

full name / name of organization: 
South Atlantic Modern Language Association (SAMLA)
contact email: 
arun.pokhrel@gmail.com, apokhrel@ufl.edu

While evoking Benedict Anderson’s idea of “long distance nationalism” to underscore the diasporic concept of Englishness, Robert J. C. Young, in his book The Idea of English Ethnicity (2008), defines such diasporic identity as a “translatable” identity “that could be adopted or appropriated anywhere by anyone who cultivated the right language, looks, and culture.” Englishness, says Young, was created for “the diaspora”—implying not simply people from England “but rather of English descent—the peoples of the English diaspora moving around the world: Americans, Canadians, Australians, New Zealanders, South Africans, even, at a pinch, the English working class.” Likewise, London, in the nineteenth and early twentieth centuries, became “the heart of the world,” which operated as literally as the cultural hub of the world and “symbolically as the nub of these comings and goings.”

Many writers, such as Joseph Conrad, Henry James, T. S. Eliot, Katherine Mansfield, James Joyce, or even V. S. Naipal, to name only a few, who were not born in England proper but in as diverse countries as Poland, the USA, New Zealand, Ireland, and in the Carribean, masqueraded themselves as English writers, for whom leaving and returning to England was a crucial imperative for their writings. “The greatest satisfactions of London,” Young aptly points out, “come from the enigma of arrival, about which [Henry] James himself wrote with zest and enthusiasm many times, and the allure of departure.” So these diasporic English writers expressed their greatest satisfactions when they arrived in London, while showing their greatest allurement of departure at the same time. That said, the South Atlantic Modern Language Association (SAMLA) graduate panels invite the papers that explore this enigma of arrival and departure, or leaving and returning of various English writers, who travelled back and forth between the center and the margins, or the papers exploring the related themes to this diasporic English identity that crosses any geographical boundaries.

Please send us an abstract or a proposal of 300-400 words (in word doc or rich text format) for your proposed paper to be presented at the SAMLA conference by May 30, 2011via email to arun.pokhrel@gmail.com. Proposals are welcome for:
Individual presentations
Panel presentations
Roundtables
Film Screenings etc.

All proposals except panel proposals should be a maximum of 400 words in length, and should include the title of the paper, author’s name, email address, and author’s affiliation. Panel proposals should include an abstract of 300-400 words for each proposed paper, including title, email address, and affiliation.

Additionally, we are looking for a graduate student, who is willing to serve as the Secretary of the SAMLA graduate panels. The Secretary will write a CFP for the next year’s graduate panels and assist the Chair in organizing and managing those panels at the SAMLA conference. Serving as the Secretary, he/she will then be nominated as the Chair for the 2012 graduate panels, who will be responsible for the overall organization and management of that year’s graduate panels. If you are interested in serving in these positions, please indicate your interest at the end of your abstract or proposal. Such kinds of services look great in your CV, especially when you go to the job market.

cfp categories: 
cultural_studies_and_historical_approaches
eighteenth_century
ethnicity_and_national_identity
film_and_television
gender_studies_and_sexuality
general_announcements
graduate_conferences
modernist studies
popular_culture
postcolonial
theatre
travel_writing
twentieth_century_and_beyond
victorian