The Basic Categories of Fantastic Literature Revisited - Lodz, Poland: 21-23 October 2012

full name / name of organization: 
Department of Studies in Drama and Pre-1800 English Literature; University of Lodz, Poland
contact email: 
lodz.fantastic.lit@gmail.com

The Basic Categories of Fantastic Literature Revisited

21-23 October 2012

It seems the time has come to revisit and reconsider the familiar, or perhaps not so familiar, terms and categories with the help of which such genres as fantasy, science fiction, Gothic, horror fiction, cyberpunk, and related ones, are being described. The names of those genres belong of course themselves to such problematic terms, which is also true of the very distinction between the so-called mainstream literature, and what might be called the ugly duckling of fantasy and science fiction that seems doomed to remain in this incurably immature condition and stands no chance of becoming a beautiful (and adult) swan. The categories that are meant here may include such general notions like “imagination”, “the supernatural”, “the sublime”, or “the abject”, whose validity goes far beyond the limits of fantastic literature, or they may be more directly relevant to the literature that is sometimes defined as based on ‘cognitive estrangement’, and sometimes as ‘encounter with the other’. In particular, we may mention the famous Freudian definition of the uncanny, as something that is familiar and profoundly unfamiliar at the same time, producing an uncomfortable ‘cognitive dissonance’ particularly useful when discussing the time-honoured distinction between “terror Gothic” and “horror Gothic”; or Tzvetan Todorov’s distinction between “the marvellous” and “the uncanny”, leading to his conception of “the fantastic”, which implies an unresolved, but artistically fruitful, conflict between the supernatural explanations of “the marvellous”, and the natural ones of “the uncanny”. Another striking aporia is the complex relationship between the words “science” and “fiction” which sit uncomfortably together in the term “science fiction”, whereas the fans of fantastic literature include those who are fascinated with technological gadgets and “artificial intelligence”, and those who follow J.R.R. Tolkien in his disgust with “the Robot Age”, and who are therefore often branded as “reactionary” or “escapist”. It might seem then that the “ugly duckling” of SF has spawned a number of “yet uglier ducklings”, such as the post-Tolkienian “sword and sorcery”. We would like to invite any contributions that, in one way or another, take part in a debate around the issues sketched above, and are prepared to consider the possibility that some of the above-mentioned terms and distinctions are already obsolete, or have never been particularly adequate, or need to be thoroughly revised in view of the recent developments in literature, or in the culture of which this literature is a part.
The contributions in question need not be very theoretical, and may deal principally with individual works, but they should, in one way or another, touch upon the questions and categories delineated above. They may also concern film adaptations based on fantastic literature. The papers to be delivered at the conference are going to be selected on the basis of the titles and abstracts that we hope to receive.

We suggest the following workshop list:

  • theoretical issues connected with fantastic literature
  • individual genres, such as: sword and sorcery, science-fiction, cyberpunk, horror
  • children’s and young adults’ literature
  • the appropriation of medieval and Renaissance themes in fantastic literature
  • science-fiction and fantasy as a political and ideological allegory
  • film adaptations of fantastic literature
  • participatory and convergence studies (cultural phenomena related to the field of the fantastic: fan communities, fan fiction, role-playing games, etc.).

Please note that the list is open and we welcome all contributions related to the field of the fantastic.

Submissions of topics and abstracts (300-400 words) should reach the organisers no later than December 31st, 2011.

Conference fee:
300 PLN (participants from Poland)
100 EURO (participants from other EU countries)
150 PLN (doctoral students and participants from non-EU countries)
The fee includes conference materials, snack refreshments and publication costs (in the case of papers selected for publication after the conference). It does not include accommodation or meals. The language of the conference is English. The conference will be held in Lodz, Poland. Additional information about accommodation and plenary speakers will be included in subsequent circulars.

Organising Committee:

Professor Andrzej Wicher, Ph.D.

Jacek Rozga, M.A.
Anna Ruszczynska-Bujnowicz, M.A.
Piotr Spyra, M.A.
Anna Standowicz, M.A.
Ewa Wisniewska, M.A.

For submissions and enquiries please contact the organisers at:
lodz.fantastic.lit@gmail.com

For updated conference information please see:
www.filolog.uni.lodz.pl/engdrama/fantastic

cfp categories: 
childrens_literature
film_and_television
medieval
renaissance
twentieth_century_and_beyond