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[UPDATE] The Art of Outrage: Poetics, Politics, Polarization. In NYC @ Fordham University's Lincoln Center Campus
full name / name of organization:
Fordham University GEA
An interdisciplinary graduate conference.
This one day interdisciplinary conference will be held at Fordham University's Lincoln Center Campus in New York City: (113 W 60th)
We are currently accepting applications from PhD and MA students (as well as junior faculty members). The conference is free of charge and includes breakfast and an after-keynote reception w/food and beverages.
We are also currently working on an after-conference event, which will most likely involve drink specials at a local pub.
We strongly encourage applicants from Law, Psychology, History, Philosophy, Theology, English, Gender Studies, and other programs to apply.
See the full CFP below for more info!
Email us w/questions: email@example.com
Prof. Castronovo's publications include:
Materializing Democracy: Toward a Revitalized Cultural Politics, co-edited with Dana Nelson (Durham: Duke University Press, 2002)
Necro Citizenship: Death, Eroticism, and the Public Sphere in the Nineteenth-Century United States (Durham: Duke University Press, 2001);
Fathering the Nation: American Genealogies of Slavery and Freedom (Berkeley: University of California Press, 1995)
“‘They’re not like us,’ and for that reason deserve to be ruled.”
Might there be degrees of intensity to processes like othering, abjection, and polarization? If we posit that certain historical and cultural moments (perhaps our own) are particularly fractured by tensions between various forms of radical extremism/extreme radicalism, how are articulations of the self and the other affected in such moments?
This interdisciplinary graduate conference, hosted by Fordham University’s Graduate English Association, calls for a day's worth of reasonable, temperate, diplomatic discourse on the topic of literary, historical, and political outrage. We are particularly concerned with investigating the role of outrage in the formation of radicalized selves and radicalized others. We take our inspiration from what many would describe as the current culturally and politically polarized American scene, but we encourage criticism and scholarship focused on the cultural productions of radically polarized eras past.
We welcome all relevant disciplinary and interdisciplinary papers, and creative presentations are especially welcome. We anticipate a wide range of methodologies, theoretical interests, and idiosyncratic material. These many include, but are not limited to, intersections of language, and/ or literature with the following:
• Colonial/postcolonial/world-literature studies
Suggested Topics/ Provocations:
How has radicalized discourse affected academia, recently and in the past? In what ways has pedagogy been invented, changed, and evolved to meet a radicalized discourse? Do the humanities have a radical future?
What are the connections between radical/extremist discourse and political geography?
What are the polarizing cultural effects of outrageous bodies/freaks?
• Manifestos (make your own!)
Presentations will be limited to 15 minutes. Please submit an abstract of 250 words as a MS Word attachment along with contact information, including name, institutional affiliation, degree level, email, and phone number, by August 31st, 2011 to firstname.lastname@example.org.