Horror Studies serves the international academic community in the humanities and specifically those scholars interested in horror. Exclusively examining horror, this journal provides interested professionals with an opportunity to read outstanding scholarship from a variety of disciplinary perspectives, including work conceived as interdisciplinary. By expanding the conversation to include specialists concerned with diverse historical periods, varied geography, and a wide variety of expressive media, this journal will inform and stimulate anyone interested in a wider and deeper understanding of horror.
The editorial team seeks essays addressing any aspect of horror in art and culture, from classical gothic representation to contemporary manifestations. We encourage submissions from all fields of inquiry, including literature, film, music, video, visual art, and performance.